Gered Mankowitz on Kate

It’s not at all a surprise to hear that Kate was a “pleasure to work with.” It seems that Kate has left behind a personal trail of good feelings and positivity for decades. If there is such a thing as karma, Kate should be surrounded by an invisible aura of constant joy.

Artists and people who worked with Kate Bush, one cannot overlook Tori Amos. The Kate Bush Tori Amos song: “Duet “. you tube with 1,102,000 views 10/04/2006, found via google and Bing, —such a song relates the depth and sensitive intensity of Kate Bush participant with Tori Amos in relating this English folk piece. Which leads to the fascinating issue, Kate Bush most likely was a major prerequisite influence for Tori Amos to actualize her musical career. And with that in mind ,much more haunting ,is that Tori Amos’s debut album in 1992 was Little earthquakes. She has song on the album Little earthquakes. So from Kate Bush’s artistic circle and influences emerge Tori Amos with Little Eathquakes in 1992, right about the same time Kate Bush recedes more into a reclusive manner of living, that starts in 1993.

Tori AMos’ 1992 Little Eaetrhquake song is haunting and interesting in its Nostradamus quality of fortelling the future in a potentailly harrowing subject area. A future riddled with little earthquakes. Because today there have been mysterious little earthquakes cropping up in Texas, Kansas and Oklahoma—-a mysterious geological phenomena so unusual the governors of all three states have hired seismologists to try to ascertain the cause of the little earthquakes in their regions.
THus with the above in mind, two other interesting internet news stories, that center on this subject of earthquakes in the midwest U.S. videos that is, to add into the above Duet and Little earthquake you tube videos are: (1) Oklahoma earthquake sswarm on the Rachel Maddow show’. NPR News February 18, 2014 Joe Wertz. A good report on the massive amount of earthquakes that have emerged in OK in mid Feb 2014. (2) Second video:”A time lapse of Oklahoma earthquake” Daily Oklahoman. THese two videos give one an idea how serious the little earthquakes have become in the midwest—the quakes could be created by nuclear testing damage that could portend some serious outcomes ahead, though no facts to substatantiate that. I wrote more on this on the internet web story: “Mystery Tremors puzzle experts” Corsicana Daily Sun. Dec 5, 2012I used the comment section to post further info on the mysterious earthquake phenomena in Texas.
Also the google entries Texas earthquakes and (2) Oklahoma eartrhquakes introduce more news stories on these events.
Thus interesting, a close associate artist to Kate Bush, and one influenced by Kate Bush and created alongside of kate Bush on various projects, Tori Amos,—such Tori AMos introduces the 1992 album Little Earthquakes as well the song by that title too.–a song and album on geological phenomena. Little earthquakes have become a central feature of national and international prominence today, newswise. And the haunting issue and significant fact in all of this, which we’ll never completely know is: Tori Amos’ Little Eaethquakes could only come about as a major debut album only by Tori’s participatory artistic ventures with Kate Bush. And Tori as such being a recipitent of such Kate Bush creative and artisitc influences back in the 1980s and early 1990s. Thus we would not have the Tori Amos debut album of 1992 with its accurate creative predictive essence, unles Kate Bush was not first in the picture. As Tori was something of a product of Kate Bush’s artisitc circle in the 1980s.

This apocalyptical theme is so rich and fascinating that involves Kate Bush and Tori AMos I thought I would still fill out more content on it. For one thing, its fascinating that when kate Bush started her career, the hullabaloo over commencing with whether she should open up with Wuthering Heights or a more rock sounding song -James and the Cold gun?–seemed to initiate the controversial aspects of her debut into the rock and roll world of 1978. The real significant controversial and creative theme involving her,though it appears, was: she chose for her first album “the Kick Inside” title and put the pregnancy issue, that is the birth of new human soul into existence, as the major central spiritual subject area of her first album: The Kick Inside.. FUrthermore, she extends such pregnancy theme with a later subsequent song: “Breathing”. Breathing is a song on her second album Never for Ever (1980), an album that followed the Kick Inside. The Web site on the Kick Inside has some interesting observations from the commenters on the Kick Inside song from Kate Bush’s first album. THe web site: “Kate Bush the kick inside lyrics/songmeanings” song meanings.com/songs/ view/54694/. From the comment sections one commenter stated some ideas on one of the rich lyrical lines: “When will you return again, my son, come tell me?” This lyric matches so nicely the bible account of Jesus returning again when the world ends in earthquake and famine catastrophe. And with such spiritual destruction a rebirth of the human soul. Thus this K. Bush lyric could relate the second coming of Jesus with such destructive earth conditions. Such catastrophic facets also characterized by the “Tori AMos Little earthquakes” when such little earthquakes become larger and more destructive. This theme was noted by another commenter on the web site who stated: “The old Kate was lost and kate the star was born. A very scary (suicide/rebrith) transition.” What this comment relates basically is the old Kate, the human being with its corpeal body, dies out when earth becomes overwhelmed with earthquakes that started out little but became more destructive and larger, and the old Kate Bush the human, transits to a new being with a new body and soul, the star kate Bush. This situation is like Shakespeare’s sonnet 59 subject of the fair youth gaining a composed wondrous frame when he becomes advanced and superior (that is mended as the word the sonnet 59 line uses to denote such superior status achieved from the older obsolete human body)—hence, A new advanced spiritual being to replace the old obsolete human being. THus a death rebirth transition is a central theme to Kate Bush’s the Kick Inside song, as well as her album cover.
The song Breathing and its the video continues such Kick Inside themes and Breathing gives the specifics of this transition of the world dying out and introduces the nature of the dying out as from some influences and impact of nuclear testing. And once again like the Kick Inside, the central subject in Breathing is pregnancy and the birth of a new human soul somewhere in the universe, as the wikipedia quote stated a post apocalyptical new type of human soul could be a central subject of “Breathing”. The main visual attribute in the video of Breathing is the men in white ab coats. Because at nuclear testing sites in Nye COunty Nevada, there were white lab coat scientists and technicians conducting experiments of nuclear bomb technology. And at the same Nevada nuclear sites the nuclear bombs were detonated underground, with bomb blasts. So the song “Breathing” simply could indicate, if there is any apocalyptical nuclear bomb blasts destructive effects on the earth, such destructive effects will originate and take place from the nuclear testing sites i.e. Nye county Nevada in the southwestern part of the state.. So the men in white lab coats in Breathing is a significant attribute of the song Breathing because it designates the nuclear testing sites will be the locales that start the apocalypse. Also a new human soul of some futuristic type coming into existence as a central theme in Breathing exists to since the pregnancy feature opens up the video’s visuals and with it—the birth of such a soul occurs when earth’ is experiencing the catastrophic effects of nuclear bomb technology. and to hone down further the nature of such nuclear bomb destructive effects int he song Breathing, kate Bush’ use of white coat scientists indicates the nuclear testing site with nuclear bomb detonations will be the area the catastrophic nuclear bomb effects will take place from and end humanity’s existance and usher in the new birth of a futuristic human soul on another planet perhaps. So Breathing is haunting and rich in its Nostradamus like seeing into the future where a futuristic human soul birth occurs.
This theme continues with Tori Amos Little earthquakes song (1992). The kate Bush Breathing video feature (1) when in white lab coats that designates the nuclear testing sites could originate the destruction of earth. (2) Little earthquakes is a second feature that characterizes such geological results destructive nuclear testing effects. (Hence all the mysterious little earthquakes cropping up in Nevada and midwestern U.S. over the past 6 years is an attesting to this). And Tori AMos relates Little Earthquakes as a central subject in one of her earliest songs. So kate Bush’s men in white lab coats and Tori Amos’s little earthquakes are key items that give clues to the nature of nuclear testing destructive effects on the world leading to apocalyptical results. The scientific study: “Unrest in Long Valley caldera, California 1978-2004” also bolsters the kate Bush and Tori AMos nuclear testing theme. Long valley is right next door to the Nevada nuclear testing site. Long Valley volcanic system is just right across the Nevada California border in eastern California. And in 1978 an abrupt change occurred in Long Valley geological profile. Thousands of little earthquakes broke out changing the geological profile for good it seems from its earlier more stable status of pre-1978 years. 30,000 thousand little earthquakes over ‘a short two or three year or less period of time’ occurred there. And Long Valley is less than 200 miles away from the Nevada nuclear testing sites with its white coat scientists and nuclear bomb detonations underground. Such white coat scientists, one would find in K. Bush’s Breathing. So the question is, does kate Bush’s song The Kick Inside and Breathing along with Tori AMos’ Little earthquakes, relate the coming end of humanity and the rebrith of a new advanced human soul elsewhere in the universe. As Matthew 24; 4-8 relates such scenarios: the quote from the Matthew 24 passage: “You will hear of wars and rumours of wars, but see to it that you are not alarmed. Such things must happen, but the end is still to come. Nation will arise against nation, and kingdom against kingdom. There will be famines and earthquakes in various places. [and then the significant line from the passage]: “All these are beginnings of birth pains”. And the kick inside song and its album cover and secondly, Kate Bush’s Breathing video central subject: a fetus in a pregnant biological state, seem to be relevant and expressive of Jesus’s beginnings of birth pains also, since birth pains occur in pregnant states of being. Birth pains of a new human soul. And in the Matthew passage one finds Tori AMos’s earthquakes too to go along with the birth pains of pregnancy.
Finally the web site: The Spiritual Notebook selfdefintion.org. page 181> At the top of the page. Nuclear testing weakens the interior of the earth creating earthquakes that will eventually sink large surface portions of the earth. This fact is related on page 181 of the Eckankar work by Paul twitchell: The Spiritual Notebook. This prediction appears to be in line & present with Kate Bush’s Breathing and Tori AMos’ Little earthquakes. With the white lab coat technicians of the nuclear testing areas and little earthquakes popping up from the nuclear testing effects. Two attributes of Kate Bush and Tori AMos’ songs.

Thus furthermore, the album covers for The Kick Inside, Kate Bush’s debut album and secondly and later the debut album for Tori Amos’s Little earthquakes. The album cover imagery is kate Bush in a wooden box, which could represent the womb, Kate Bush becomes the fetus, since she inhabits the interior of the wooden box, and the title the kick inside, designates a fetus exhibiting a kicking motion, and that too conveys the album cover to be a fetus situation of pregnancy. (2) Tori Amos also utilizes the same box and she inhabits the box, like a fetus perhaps, thus her inhabiting of the wooden box too could be a fetus in a womb hence a pregnant condition like Kate Bush’s Kick Inside album cover imagery—such Tori AMos imagery on her album cover Little earthquakes. So both covers could indicate a pregnancy situation. WHich means a new human soul coming into the world via birth, or a new futuristic human soul of some type different from regular human being, coming into existence via birth somewhere in the universe for that matter. What is interesting is the Kick Inside is a pregnancy subject, and Kate Bush’s song: Breathing relates the pregnancy subject also, and intertwined with nuclear bomb explosion apocalypse conditions as her video and lyrics convey. THe nuclear bomb explosions could end humanity and the fetus being born —as the wikiepdia Breathing kate Bush song article states—-could be a post apocalypse birth. That could mean a futuristic human being of some sort that is. In any case the nuclear bomb explosion feature as a developing apocalypse condition is present in Breathing. (2) Tori Amos album Little earthquakes, the little earthquakes could designate a further extended apocalypse attribute and feature like the Kate bush Breathing video visuals’ nuclear bomb explosion conditions: The little earthquakes that pop up across the U.S. resulting from nuclear bomb explosions on the Nevada nuclear testing site—a real possible occurrence that could prove scientifically valid in the years ahead. So Tori Amos’ album cover Little earthquakes also expresses an apocalypse facet like the nuclear bomb explosions being assessed by the white lab technicians and scientist in the video visuals of Kate Bush’s song BReathing. Both Little Earthquakes cover and the Kick Inside cover have this apocalypse event or dimension along with Tori Amos and kate Bush being a fetus as related on the album covers, and thirdly the condition of a new human soul coming into existence, also possibly related on both album covers, with Kate Bush and Tori Amos as fetuses ready to be born into existence somewhere in the universe whether earth or elsewhere. And the possibility the new human soul could be a post apocalypse new type of futuristic spiritually advanced human of some type is present thus with both album covers. In any case Kate Bush’s Breathing might as well be an extension of her song the Kick Inside, though Breathing was on the later 1980 Never for Ever album. That is the Kick iNside and Breathing songs may as well be one and the same since pregnancy is indigenous to both The Kick Inside and Breathing. And both songs appeared within two years of each other–1978 for the Kick Inside and 1980 for Breathing. They might as well be one song.

Continuing on this theme, Kate Bush I could write volumes on, well anyway: The kate bush three song progression in regards to the apocalypse phenomena in consideration. Such kate Bush song progression: Wuthering Heights —–>Ballad of Lizie Wan——>Breathing. Such three song progression carries the highly significant attributes:

Part I: Wuthering Heights Lizie Wan
brother/sister incestuous brother/sister
theme or situation. incestuous situation.

Part II. Lizie Wan Breathing —> Breathing’s interesting
pregnancy that pregnancy that facet: brother/sister
actualizes not with actualizes not with incestuous situation
birth of a child birth of child diminishes off to being
on earth on earth nonexistant in the song
Breathing

The brother sister incestuous sexual erotic attraction could be expressive of underlying myths, mores and standards of a culture collapsing. There is a two part essence to the collapse. Wuthering Heights & Lizie Wan express the cultural mores and myth collapse in society. Sexual desires stay pent up in childhood household environs, that is with Wuthering Heights and Lizie Wan. THe spiritual process in operation in the world that create the collapse of erotic relationships (developing within brother sister relationships) such cultural deterioration in the spiritual sphere finalize with the collapse of the physical molecular environment with the killing off of humanity, that is the human body and the human soul, and as such human souls no longer participate in the world along spiritual processes via nuclear bomb explosions found in Breathing. THese lines of theme and thought could be apparent with kate Bush’s Wuthering HEights, Ballad of Lizie Wan and Breathing and further expands with Tori Amos’ Little Earthquakes.
The spiritual collapse of the societal mores and mythology seem to be present in Wuthering Heights and the Ballad of Lizie Wan. And this further worsens to the actual destruction of the planet with Breathing’s videos visuals of nuclear bomb explosions bringing on the apocalypse. THe molecular dimension of the end of humanity, that is in Breathing. Yet it seems the apocalypse process of this sort actually goes into cause and effect operation back in the 1800s with the brother/sister incestuous relationships of Wuthering heights and Lizie Wan.

One last comment on this topic. THere are two facets and dimensions to Wuthering Heights that stand out in significance. (1) Cathernine Earnshaw grows up in the Wuthering HEights household as a child and when she reaches the age of a young lady she essentially does what every other English girl would do at that time: She moves out of her childhood home and marries a man in the culture (in this case, Edgar Linton), and becomes husband and wife with the opportunity of a family to come into being. This action of hers is simply standard and the norm in England, during that time. (2) Sociologists have long stated that the family unit is the basic cultural institution upon which the other cultural institutions are based upon and built upon. If something goes wrong or off center in the family unit, the society’s social institutions will crumble also.
It is interesting that in Wuthering Heights these two areas are well present and illustrated by Emily Bronte. Even though admittedly and obviously EMily Bronte has infused much more into the Wuthering Heights story, like the true bedrock erotic relationship that exists is with Cathy and Heathcliff and thus the true erotic attachments are originating within the Wuthering Heights household commencing when Cathy and Heathcliff are children.
But in any case, the above content is additional content on the issue, of Emily Bronte’s genius, that the simple straightforward moving from the childhood household to a marriage at another household with the opportunity for Edgar and Cathy to create a family and new societal institution of work, and community involvement, is simply present in the Bronte novel. Yet such healthy direction is fraught with vicious emotional destruction of its participants, Heathcliff, Edgar, Catherine and Isabella ect., and failure because the true erotic attachment of Catherine and Heathcliff share. Its imtersting, because this erotic attachment between Heathcliff and Catherine also, by no means of destructive intent on their part, but the erotic attachment also destroys this normal movement of Catherine to leave the childhood household and its familial love attachment, and start a family of her own—as with Linton. So the normal progression to create a future in the community occurs in the novel yet this action and direction falls apart. Which Bronte thus introduces, cultural institutions, marriages, future work and families, are getting in serious trouble when marriage fails as with Catherine and Edgar. And this theme gets expanded by kate Bush further into her video “Breathing” where everything, eventually, the whole environment falls apart also.
On another line of thought, there are four articles from the internet that relate the unusual and baffling nature of earthquake activity in the Central U.S. and world for that matter, which could fortell a Tori Amos little earthquake falling apart of the world when larger quakes get into the picture. THe four articles are: (1) Arkansas quake swarms rattled nerves, raised quetions.” CNN News.com Alan Duke May 27, 2013. A quote: “THe chances of so many tremblors in the region in such a short time are “powerball kind of odds” Ausbrook said. “What was unusual was to have four different areas in the state to be active in the same week.” End quote. (2) “FLorida Keys and Cuba rattled by rare earthquake.” Miami Herald, January 2014. A very unusual intraplate earthquake in in the northern coastal waters above Cuba is what this report is about. A good TV video relating is present in the article. (3) “FOur at once: volcano quartet erupts on Kamchatka” Speigelonline. “Given that volcano experts don’t believe that the four volcanos are being fed from the same magma source, the paralell eruption would seem to be the equivalent of winning the lottery.” End quote. November 27 2012 unusual in unison four volcano eruption in kamchatka, is what this article is about.(4) “Bizarre 2012 earthquake signals birth of world’s newest tectonic plate.” The April 2012 off coast of northwest Sumatra 8.0+ quake that is so unusual in so many attributes the geologist say a 1 in a million chance of it happening is the norm. yet it happened. Needless to say the article it totally replete with the unusual and non standard seismic happenings and geological features that inhabit this area of the world and once again another intraplate earthquake of strike slip variety that contributes to the highly unusual nature and rarity of occurrence of the quake. Also the 3.3 September 28, 2012 North Dakota quake: Williston North Dakota and the May 2013, 8.3 Sea of Okhotsk earthquake, deepest ever recorded with again unusual characteristics are two more areas to throw in. A video: “Huge Earthquake strikes Russia’s Far east” Has actual footage of the Sea of Okhotsk quake rattling a municipal office in Kamchatka with an interview with a police official.
Whether these quakes are signs of new birth of the human soul, that one finds possibly communicated by Tori Amos as she crouches in her wooden box, the womb the box could symbolically represent, such wooden box on her cover album Little Earthquakes, T. Amos is ready to be born in the future after the earthquakes whether little or eventually large have destroyed humanity in apocalyptic fashion, from nuclear testing bomb explosions of the 20th century’s latter half—is still an issue to be resolved. And Kate Bush and tori AMos could have introduced this issue int heir music as the previous February 2014 H. Horton comments have related.

There are some further thoughts on the nuclear bomb explosion, most likley nuclear testing damage induced apocalypse that will wipe out earth’s human population and with it human spiritual existence on earth, as Kate Bush’s video Breathing appears to express. SOme further items on the Kate Bush Breathing video’s visual scenes, some interesting facts can be ascertained. (1) there are no armies, jets dropping nuclear bombs on opposing armies and populations in the videos. This fact suggests there are no nuclear war conditions present in which nuclear bomb explosions can be found, in the Breathing video visuals, and this fact moves the next issue into center: the only logical condition that nuclear bomb explosions can bring on the apocalypse is from nuclear testing. Because the only area nuclear bomb explosions have occurred with high frequency and massive destuctive impact is undergound beneath the nuclear testing sites of Nye COunty Nevada. Over 900 nuclear bomb explosions have pounded away at the same geological underground terrain for near fifty years 1945-1992, in southwest Nevada. One striking image from K. Bush’s video Breathing that could relate & amplify this fact is the image of a nuclear explosion —where nuclear explosion cloud sucks back into the ground. As if to say the central harrowing destructive effects of any nuclear bomb explosions that will bring on any future apocalypse will take place underground. The nuclear bomb explosion occurs underground and with that fact designates that the nuclear explosion is nuclear testing oriented & originated. Since nuclear testing occurs underground. The white lab coat technicians that run scientific tests on the nuclear testing site grounds, whether surface as well as underground structures, rooms buildings ect.—checking out radiation effects and nuclear contamination. The white lab coat technicians in Breathing could be such testing site personel. No soldiers, jet pilots, armies or devastated populations and nations exist in the Breathing video where armies and destructive nuclear bomb explosions wreak havoc.. Only the white lab coat personel of the Breathing video are present with any relation to nuclear bomb explosions. So the major meaning of kate Bush’s Breathing video is that nuclear testing’s underground nuclear bomb explosions will be the major area that will bring on the future apocalypse, the wiping out of humanity. And the fetus ,in Breathing, will be born in a post apocalypse environment. Most likely on another planet as an advanced form of futuristic human soul. This theme continues later with Tori amos’ Little earthquakes song and album cover.
Thus there are three sets of brother sister situations in Kate Bush’s first songs. The two brother sister situations in Wuthering Heights. Cathy and heathcliff emerging in a brother sister structure though not genetically related, still their childhood and into adult hood is along the strucutral lines of a brother sister relationship. (2) Edgar and isabella Linton are an actual brother sister condition that becomes intertwined in marriages to the cathy and Heathcliff brother sister structural replationship of Wuthering Heights. (3) Lizie Wan has an actual incestuous brother sister realtionship at the center of the Lizie Wan ballad. BTW< Lizie Wan is more concordant with Wuthering Heights as a ballad story, since 1776 was the date Lizie Wan appeared to the world in the form of a ballad. Wuthering Heights is a story that could have occurred anywhere from mid – 1700s until early 1800s, though the early 1800s appear to be the most likely time period Wuthering Heights is set within.
One further significant area that relates the possibility of nuclear testing damaged earthquakes that will eventually grow so prevalent and large that such a condition will bring on an apocalypse–the following song by Crosby Stills and Nash could easily relate such a futuristic terrifying apocalyptic event. The CSN&Y song: Deja Vu. Deja Vu has two significant themes within it that relates the coming apocalypse. (1) Theme 1 as such is the reincarnation of the human soul, as the human soul comes into existence on the earthly planet, such reincarnation as a central spiritual process will conclude and be no more, is an because an earthquake riven destruction of earth will occur bringing on an apocalypse, ending the existance of human souls within the human soul spiritual processes on earth. (2) Thus the lyrics from Deja Vu, "whats going on under the ground" which means that something unusual is happening under the ground. A situation that is starkly the same as Tori Amos' Little earthquakes since Little earthquakes are going on under the ground. And the apocalypse will emerge from whats going on undergorund, since destcutive earthquakes come from underground areas. Also the CSN&Y lyric "whats going on down under you" also refers to potential massive apocalyptic effects going on down under the ground. A quick side note, CSN&Y were signed to the Atlantic record label in the 1960s when they put out Deja Vu. Tori AMos was signed to Atlantic throughout the 1980s until she released her first album in 1992 with another label: Little earthquakes. But in any case, the CSN&Y Deja Vu song relates the lyrics: We have all been here before" which is a recognition that we as human souls coming into the world have all been human souls in previous lifetimes here on earth. And as, Participants on the wheel of birth and rebirth , that is reincarnation. But CSN&Y sings of this reincarantion wheel as being in trouble and maybe ending if what goes on under the ground, becomes lethal to humankind's existance. So the wheel of reincarnation theme in CSN&Y's Deja Vu is synomous to the pregnancies that do not come into existance in Kate Bush's Lize Wan ballad and Breathing. Because ithe pregnancies do not actualize in the birth of a worldy child, then the reincarnation process, does not take place. Because with Kate Bush, pregnancies of Lizie Wan and Breathing is the same as –separate human souls–coming into the world. And their existance into the world is within the spiritual processes as the reincarnation process. That is as CSN&Y states, on another time round the wheel–evidently such wheel being the reincarnation wheel of brith and rebirth where any pregnant human soul is usually destined for. Yet the K. Bush pregnancies of Lizie Wan and Breathing do not come into the world and as souls do not come into the wheel of reincarnation, the deja vu phenomena of humna soul spiritual existance.(2) The what is going on under the ground, this CSN&Y lyric is the same phenomena as Tori Amos's Little earthquakes. Because Tori Amos little earthquakes will become larger earthquakes and bring on the apocalypse and CSN&Y are most likely referring to this in their lyrics in Deja Vu: Whats going on down under you.
So there is some similarities between the kate Bush and Tori Amos subject areas in their songs as mentioned above –such similarities matching the CSN&Y Deja Vu song's attributes.
One further note, my ancestors William Horton and sarah Horton of Barkisland West Yorkshire were involved in brother sister marriage to the Gledhill family int he mid 1600s. Emily Bronte was a denizen of West Yorkshire also, like the Gledhills and Hortons, that is she being from Haworth West Yorkshire. THus since my ancestors the Hortons of West Yorkshire and Brontes of West Yorkshire, both families being territorial close to each other, the possibility the brother sister marriages of the Gledhills and Hortons of 1656 could have been an inspirtaion and model for E. Bronte's Wuthering Heights. The following web site: "GLedhill Genealogy- THe Geldhill family" relate more specifics on this brother sister marriage. A quote from the near opening middle page area of the web site: "John Geldhill gentleman, was married to Sarah Horton by license on October 11, 1656. He was the builder of Barkisalnd Hall and was the son of THomas Geldhill. On the same day in the same church of England at Elland his sister Elizabeth Gledhill married William Horton, Gentlemen of Barkisland."End quote. I have laways wondered whether 'this marriage day' of the Horton brother and sister to a repsective Gledhill brother and sister could have been the matrimonial event that Emily Bronte drew from, to construct her Wuthering Heights story with the marriages of heathcliff to Isabella Linton , Isabella , that is, sister of edgar Linton. And also Edgar Linton to Cathy earnshaw. Cathy earnshaw a sister like figure to Heathcliff of Wuthering Heights. The Hortons of West Yorkshire were denizens in the same area Emily Bronte was. Also the Hoguhtons of West Yorkshire resided there too. Shakespeare in his adolescence could have stayed with the Houghtons at Hougton towers which were the Houghton branch that was in lancaster in the 1500s. The Yorkshire Houghtons would be related to this group of Lancaster Houghtons. Thats another story. Yet Kate Bush had a strong emotional affinity to these west Yorkshire influences via her love of Wuthering Heights.

Some further thoughts on Kate Bush and the apocalypse theme and pregnancy subject matter in her earlier songs. Kate Bush could introduce the concept that spiritual processes and operations rule the world and the scientific operations and processes, are only a subcomponent part of the over all wider spiritual processes that govern the destiny of the immortal human soul that is participatory in such spiritual processes in earthly life. Her songs Wuthering Heights and the Kick Inside, which have pregnancies inherent in their story content, could be important for the following reasons. The human soul and the myth, mores of the English culture are getting into trouble, dimisnishing, and evaporating off, as the start of the apocalypse. These two songs could relate these features. An apocalypse that starts and is embodied within the dictates of spiritual process operations, that is. Wuthering HEights, where the normal proceeding of family life of Cathy with either Heathcliff or Edgar fails, and with THe Kick Inside/Ballad of Lizie Wan, the brother and sister incestuous relationship results in murder of the fetus and Lizie Wan as well as family failings. The family spiritual essence, its, situation, fails and with the subject matter of these two songs, the human soul’s participation in the mythological world around it, also starts to diminish and recede and disappear. THe most fascinating statement that one can make about this is: WOuld the Wuthering Heights and the kick Inside be an expression of spiritual activities of its characters expressive of an ending of western civilisation and the later subsequent nuclear testing damaged induced earthquake activity, the final and real apocalypse such nuclear testing damage brings on –this harrowing event being —-only a constituent part —-of the major spiritual processes and operations involving the human soul, that first were earlier expressive in Wuthering Heights and the Kick Inside/Ballad of Lizie Wan that had murder, incest in Lizie Wan, and Catherine Earnshaw’s inability to proceed along a cultural line of marriage, family and with it her family being a the contributory embodiment to the future generations of the English people. So the real apocalypse its major essence is taking place with Wutherin Heights and Lizie Wan. In the subsequent Kate Bush song Breathing, the actual molecular destruction of the human race is only the final capping off of the already long run apocalypse conditions that stem back to 1776 with Lizie Wan and the early 1800s Wuthering Heights. That is the spiritual conditions that are negative that comprise the apocalypse conditions beginning to emerge in the stories of Wuthering Heights and Lizie Wan This is an area that makes Kate Bush real interesting. Because as a genuine artist as she looks into herself for the current day genuine artisitc truths, on a subconscious basis, she manages to convey the harrowing truth, which being the forces of the apocalypse have been present steaming along even since the 1700s with Lizie Wan and later in the early 1800s Wuthering Heights. So the nuclear testing damage apocalypse is an event that is contained in these spiritual forces that express itself in earthly human life, and such spiritual forces with their destructive and negative effects are in place & active in the 1770s and early 1800s with and within Wuthering Heights and Lizie Wan. Thus Wuthering heights and Lizie Wan have pregnancies as a prominent subject area in their stories. ANd that also is same to say: the pregnancies are the human soul as a spiritual item found in the reincarnation cycle and the karma burning off processes , such spiritual processes in Wuthering Heights nd Lizie Wan. So with this, the bedrock fundamental spiritual process; the reincarnation cycle and the karma buring off process inherent in such reincarnation cycle is now in question and could die out too. If that is the case the human soul as a human being within these age old spiritual processes will cease to be & exist in the near future. so where off —-for the immortal human soul at this point?THus the Rollo May principle is present in the above content of this correspondence. The current day world is dying out, and the new world has not been born yet. Love and Will the Rollo May work delves into this area. The question is, thus as Kate Bush, Tori Amos and CSN&Y relate, if the current western civilisation is dying out, it will not only be a cultural dying out but the molecular physcial self the human body will die out also. Its not going to be as simple as the dying out of the middle ages, which had overriding spiritual forces involved in the end of the middle ages, but human beings in their corpeal state of being survived its dying out. That may not be the case this time. The Barbara Tuchman book: A Distant Mirror addresses this issue additionally.
I don’t think Kate Bush consciously set out to put these themes in her songs, but on an interesting subconscious basis such themes and subjects have emerged within her song’s content. Which makes it even more fascinating.
Neverthe less the earthquake activity in the U.S. has gotten harrowing and even downright terrifying in my view. Because the follwing major areas are not getting addressed. (1) the first significant abrupt change in a stable geological profile of a U.S. system was at Long Valley Calif. volcanic fields in 1978-1980 with the rising caldera floor and earthquake swarms going into the 10,000s of quakes. This early abrupt change at Long Valley’s geological system occurred right next to the Nevada nuclear testing grounds and this situation then brings on the issue that nuclear testing damage simply could have created the unusual earthquake swarm conditions at Long Valley with the volcano floor risings. THus this situation introduces the major factor: nuclear testing damage down through the years simply expanded out from the—–“LOng vAlley/Nevada nuclear testing site areas—–into other geological systems. The Yellowstone dangerous caldera floor rising and earthquake swarms with quakes in the 10,000 number range that struck over two winters since 2009, these unusual Yellowstone events simply could have been created by an expanding underground nuclear testing damage that expanded out from the Nevada nuclear testing grounds of Nye county Nev into Yellowstone. And later in texas, Oklahoma, Arkansas and now Kansas, the same unusual earthquake swarms too could be created by Nevada nuclear testing site damage expanding into these midwestern States, that came in 2008/09 initially to these midwestern states. The LOng Valley earthquake situation, The Yellowstone impending volcano destruction situation, and the midwestern U.S. earthquake situation, all could point to potential future apocalypse conditions if the quakes and expanding nuclear testing damage worsens. And there is nothing at this point saying that the worsening will stop. Such conditions are related in Kate Bush’s Breathing and Tori AMos Little earthquakes. Today a video came out on the internet on Kansas earthquake emergences on March 12, 2014. The news story video: “2 more quakes reported in Harper County” KAKE.com Mar 12, 2014 Wed 6:32 p.m. Interviews with people that experienced these mysterious quakes is in the video report. Yet had Kate Bush and Tori Amos along with CSN&Y supplied the valuable information of the nature and origins of these earthquakes in their songs: Breathing, Little earthquakes, and Deja Vu. That could be.

Still chewing along on the reincarnation theme and the apocalypse subject in Kate Bush’s early pieces in her career 1978-1980. trying to communicate accurately the significant points: the significant meaning of the pregnancies subjects of Lizie Wan/kick inside, wuthering heights, and Breathing and Room for life, is the pregnancies are the same as the reincarnation cycle of birth and rebirth subject matter. And the reincarnation theme thus is presented in these four songs at kate bush’ career outset. Secondly, the reincarnation process is in trouble with the songs “Lizie Wan/kick inside” and Breathing, and adding in TOri Amos little earthquake cover with that subject. Because the pregnancies are not delivering children at birth, this means the reincarnation cycle is not taking its purposeful direct process and completion. Since children are not being born into the world with this process. this could signify that the reincarnation process is dying and with it human souls cease to exist within this very important spiritual reincarnation process. The wheel of birth and rebirth the reincarnation wheel is called, and lo and behold in Kate Bush’s early songs on pregnancies, the subject of birth is introduced and present with the pregnancy songs. And with that the wheel of birth and rebirth too is present and indigenous to the pregnancy subject as one and the same. That is in the Kate Bush songs: Wuthering Heights, Ballad of Lizie wan/Kick Inside, and Breathing, Room for Life.. And additionally in Tori Amos Little earthquakes cover imagery which suggest a pregnancy as she is a fetus in the womb, the womb being the cubicle wodden box. She copied the imagery from Kate Bush’s debut album THe Kick inside with the same wooden boz imagery and fetus subject.
So with kate Bush and the pregnancy subject matter songs, this might as well be the reincarnation cycle subject matter songs. And with that appearance the bedrock fundamental spiritual process reincarnation, is getting into trouble, inadequate, for the incoming being born human soul into the world, because birth of the human soul into earthly life does not take place in some of the songs: THe kick Inside and Breathing.
ALong these lines turning to Tori Amos and CSN&Y”s deja vu, part of the reincarnation process is burning off karma. THus a reincarnating human soul born into life will have karmic conflicts and the result of these karmic conflicts the human soul is at risk fro repeating the same previous karmic mistakes over again in the subsequent lifetime and thus generating more karma. Instead of working the karma off. This creation of karma or working it off, is a process inherent in the reincarnation cycle. CSN&Y’s Deja vu video visuals of one of their video and T. AMos’ Little earthquakes lyrics relate the karmic patterns and negative essence being repeated again. THe old wise saying: “History repeats itself” is another way of saying nations and people, such as with wars, simply repeat old karmic mistakes intheir present lifetime. THe Crosby Stills and Nash & Young video: “Crosby, Stills, MNash & Young – Deja Vu (video) Neilyoungchannel” has a video segment that relates this karmic repeat phenomena. THe segment at 00:28-00:40 carries the quote: “We’re right back here again we got to turn this around.” The subject is about the Iraq war and how it is another version of the vietnam war and the uselessness of war to begin with. THe subject right back here again, is a statement of karma being repeated. And also a statement of the presence of the reincarnation subject also in the CSN”Y video visuals. This wierdly puts this statement on the similar grounds with kate Bush’s pregnancy videos and songs since reincarnation cycle too is present in those of her videos. So the repeat of karma in the CSN”Y deja vu video is synonomous to subject content in the Kate Bush pregnancy videos even though the Kate Bush videos are more illustrative of the reincarnation cycle predominantly. Yet even so karma subject is inherent in those pregnancy videos.
Tori AMos Little earthquakes lyrics too carry the karma repeat phenomena also. THe lyrics of hers from Little earthquakes song goes as follows: “Oh these little earthquakes/—-*here we go again—–/these little earthquakes/doesn’t take much to rip us into pieces.” The key line is: Here we go again> which has the repeat of karma and the conflicts subject that is brought out as the prevailing subject in the lyrics. THus this T. Amos lyric is the same as the CSN&Y Deja Vu video statement: Here we go again: at the 00:28-00:40 mark. So in the deja vu video subject matter and the Tori AMos Little earthquake lyrics< the 'karma burning off principle' is present with these comparative examples. And this principle is part of the reincarnation cycle. (1)So the spiritual processes of reincarnation with the Fetus being born somewhere in the universe as related by and present on the Tori AMos Little earthquakes cover imagery. (2) The here we go again statement which relates the —–burning off of karma potentialities or presence of pastlifetime karma conflicts present in the Little earthquakes song—-as a principle of and a part of the reincarnation cycle. (3) Most significantly, the apocalypse is also a present subject in the, Tori Amos Little earthquakes song and album cover. SInce Little earthquakes denote apocalypse conditions developing most likely from nuclear testing activity. So these three areas all crop up in the Tori Amos Little earthquakes song and and the same areas are present in CSN&Y's Deja Vu and kate Bush's Breathing.
One harrowing fact of the earthquake phenomena in the U.S. is the fact that in March 2012 in the town of Clintonville Wis. the boom sound so small little earthquakes emerged in March 2012. The following articles from the internet: "Earthqukae the cause of Wisconsins town's annoying booms?" March 22, 2012 NBC News has a report and video report ont his internet news site. Well once these booms appeared in a week or two later the monster quake in SUmatra's coastal waters occurred. The two web site stories carry those articles: "Why the 2012 Sumatra earthquake was a wierd one." Livescience July 20, 2012 Becky Oskin. A second story: "Powerful 8.6 magnitude earthquake triggers tsunami, but little damage" April 11, 2012 ABC NEWS Akiko . A video account is presented here. So the significance, the earthquakes in the midwestern U.S. such as at CLintonville are created most likely by the same underlying seismic forces that created the April Sumatra quake at 8.6 magnitude. Because both quake phenomena occurred right next to each other. Also other widespread earthquakes broke out in April at an unusual high number across the globe. THis fact presents Kate Bush's Breathing nuclear bomb explosion effects could be the underlying cause of all of this earthquake phenomana of March – April 2011 involving CLintonville and the SUmatra quake.

Still chewing on the apocalypse and reincarnation subject matter in Kate Bush’s earlier pregnancy songs: Wuthering Heights, Lizie Wan, Breathing and Room for Life. One striking dimension to Kate Bush’ songs, her spiritual subjects that is, is that her songs and subjects are the same as Shakespeare in some major spiritual areas. The apocalypse and reincarnation themes, such major subject areas that are very present in shakespeare in the 1500s-1600 as well as in Kate Bush ‘s early songs in the 20th century. Not only that both Kate Bush and Shakespeare introduce the apocalypse together and intertwined with the reincarnation theme. Its an intersting facet of both Shakespeare and kate Bush most people do not realize. Because psychologically if one brought up the apocalypse, that is the end of the human race, in the 21st century to most people in this century the imagery thinking that would result primarily would be that we as humans living in the scientific era, would die. Human beings, our bodies would die and be no more. Yet it appears in the prescientific era with Shakespeare —–when Shakespeare introduces the apocalypse the resulting thinking is much different than the 21st century person. The environmental apoclaypse wipes out the reincarnation cycle that the human soul is requisite part and segment of—this is the essence of the apocalypse in Shakespeare’s time. In Kate Bush this intertwining of the apocalypse and the reincarnation cycle is too present in her songs as it is in Shakespeare.
To give some examples of this: There are three following examples from Shakespeare on the apocalypse and the intertwined reincarnation cycle that is dying out and thus will be changed and altered in the future for the human soul to come into the existance of the world. The following Shakesperian examples are: (1) King Henry IV part 2? Act III Scene I: “Then you preceive the body of our kingdom. How foul it is; what rank diseases grow. And with what danger, near the heart of it….Oh God that one might read the book of fate, and see the revolution of the times. Make mountians level, and the continent weary of soild firmness, melt itself into the sea.” End quote. The apocalypse is presented with the images of continents melting into the sea and mountains crumbling to a level point. Secondly the term revolution of the times expresses the reincarnation cycle. One—revolution on the wheel of birth and death, such a revolution that is one turn of the wheel, is expressed in the thought of: revolution. And in the King Henry IV lines revolution is a word used also. Additionally the lines of how rank and foul England has become states the depth and gravity of karma and evil that has rotted the English state out. And within Reincarnation cycle suhc English kingdom spiritual deterioration, that is, its karma and evil are additionally indigenous features to such reincarantion cycle.
Hecne with the above example Amos lyrics are similar in subject area as the sonnet 59: Composed wondrous frame of the Fair Youth with his mended status. In case of the T. Amos lyrics she relates the earlier flip side of the wondrous composed frame advanced human soul subject by referring to her desire for remaining as the earlier predecessor human being self with its life, pain and regular human self as opposed to the futuristic advanced human soul of new birth with its wondrous composed frame. For spiritual advancement. Further more in sonnet 59 the lines; Labouring for invention- birth pains of a new creation. These lines refer to the giving birth of a new being or/& new world-and the four pregnancy songs of Kate Bush are right in this area also, since birth pains occur with pregnancy.And in Breathing with its apocalypse, the birth pains will occur in a post apocalypse world with a new creation, the new spiritually advanced human soul. So here is once again another major similarity of Kate Bush with shakespeare in the reincarnation, rebrith and apocalypse subject areas.
Thus the reincarnation of the human soul intertwined with the apocalypse is ‘a well thorough presence’ in Shakespeare, and strikingly, it is also present in kate Bush’s approach to her subjects in her songs. And she is writing and creating her songs in the 20th-21st century. She must be on the same creative area of the soul and creative currents of Shakespeare that are ever so present and relevant to the major spiritual phenomena for the human soul today in the 20th-21st century.

Still did not get the complete ideas over with the earlier two previous comments. Here is the following information: “that i mightsee what the old world could say/to this composed wonder of your frame;whether we are mended, or whe’r better they,/or whether revolution be the same.” —sonnet 59.
the critical word is revolution from the above sonnet 59 lines.Because it means the reincarnation cycle. In more elucidated manner: “The revolution on the wheel of birth and rebirth.” So the sonnet 59’s revolution as expressive of the reincarnation theme—such reincarnation theme also is found in kate Bush’s pregnancy songs, since pregnancy gives way to birth and birth is a major notch or segment on the wheel of reincarnation ‘s “revolution”. So the reincarnation theme is present in sonnet 59 and kate bush pregnancy songs. also in regards to sonnet 59’s scenes and meanings: what would the old world say —is another way of saying what would the old former human beings of earth, that is the peoples of the Old World say —-of the futiristic spiritual advanced human soul. The old world being old inferior humans and the fair youth with his composed wonder of a frame spiritually advanced is drawn in contrasting contemplation in these lines. Because the wheel of reincarnation, that is its: “revolution”—- will not be the same this time around. There will be no more reincarnating of the human soul to an earth human soul with the processes introduced in the latter part of sonnet 59. thus the album cover imagery of the Kick Inside and Tori Amos’s l. earthquakes, with the fetus subjects and wombs, could indicate a spiritually advanced futuristic human soul, a human soul with its composed frame of wonder, mended and made superior.
The reincarnating theme and an Aldulous Huxley Brave New World futuristic human soul embodied in the Fair Youth is presented in the Sonnet 59 lines.

Going on further with the previous post’s analysis. THe issue of karma, reincarnation and the apocalypse have a piercing presence in the songs of K Bush’s Breathing, and her Lizie Wan, & T. AMos’s Little Earthquakes and CSN&Y in Deja Vu. THe Henry IV segment from Act III Scene I also relates the dimensions of karma and its causative and destructive effects for bringing on the apocalypse. THe lines from this Shakespeare play goes as follows: “Then you perceive the body of our kingdom. How foul it is; what rank diseases grow. And within that danger, near the heart of it….Oh God that one might read the book of fate, and see the revolution of the times. Make mountains level, and the continents weary of solid firmness, melting itself into the sea!”
In the above quote a very significant facet of the apocalypse is related. King Henry IV, I think he is the one who made the statement, could have been Hotspur though. But any way, When one looks at the statement of reading the book of fate and mountains, crumbling to a level status and continents melting into the sea—-(Most likely from the effects of the apocalypse)—additionally, the reincarnation cycle is also presented with the statement: The revolution of our times” in these latter Henry IV lines. That is the revolution on the wheel of birth and rebirth is at work in creating the apocalypse in the future that will wipe out human kind, is what the Henry IV statement relates. Interestingly once the revolution of our times phrase is presented, the meaning of this phrase goes back to the previous lines that are related as: You see how foul our kingdom is, how rank with diseases that grow”> This line is the expression of karma that has grown and expanded in increased manner in the English kingdom. And thus this karma is an indigenous attribute of the reincarnation cycle that is expressed in the lines: “Revolution of our times”.
So in the above content, the main cause of the coming apocalypse is the increased and expansive amount of karma that is present in the world as depicted in the English kingdom of the 1500s. The karma of this large amount and expansion will continue onwards into the few centuries ahead well into the 20th and 21st century. So in this Henry IV lines, the abnormal or exceedingly high amount of karma in the world will be the main causative factor for bringing on the destruction of the world. WHich further relates the karma currents and their amounts today are at an abnormal high and as such affect the minds and actions of humans.
Thus in 1776, the Lizie Wan ballad, with its more increased and deepened karma presence is introduced by kate Bush in her song: “The Kick Inside/ Ballad of Lizie Wan” The karma in the Lizie Wan ballad is high and heightened in amount and thus such karma shares the same character and essence of the Henry IV karma portrayal, and that is the karma, expressd in how foul and rank with diseases the English Kingdom has become. So if the English kingdom karma creates the apocalypse, the Lizie Wan karma too is the main contributory force for creating the apocalypse. Since the Lizie Wan karma is simply a part and the same as the overall increased and high karma amounts of the current karma currents and their status of the world in the 1700s and 1500s spanning onwards into the 20th and 21st centuries. Lizie Wan was not murdered for plucking a flower as karma act. The karma involved with her and her brother was much larger and at its highest and increased status involving incest, murder and abortion. Two lives were lost. So the increased karma in Lizie Wan is pretty much the same as the increased karma in the HEnry IV lines. And the increased karma in the HEnry IV lines led to the apocalypse with mountains being leveled and continents melting into the seas. Do with the above karma in people kill people.
Breathing by Kate Bush could simply further this already present high amount of karma int he world today and in recent past centuries. Her second song Breathing, continues the pregnancy theme of Lizie Wan but also joins the pregnancy theme with nuclear bomb explosion created apocalypse conditions in the molecular physical world. So in a sense Breathing is a continuation of the LIzie Wan theme of karma. In that mountains will crumble and continents will fall into the sea—these apocalypse features and actions are present with Breathing.
So in a sense the HEnry IV lines and the transition from karma to apocalypse is also the same with kate Bush. Karma to apocalypse occurs with Lizie Wan transiting to The song BReathing. Karma in the English kingdom with rank diseases and foul essence transits to the apocalypse of earth’s surface collapse. ANd with Kate Bush the karma in Lizie Wan with the incestuous pregnancy transits to the Breathing nuclear bomb created apocalypse—a transition no different in a lot of ways with the previous Henry IV transition. And also a pregnancy with Breathing gives a substantial similarity to Lizie Wan since a Pregnancy is present in Breathing.
Some further harrowing developments in the U.S. involving unusual earthquake swarms. THe following two internet sites concerning an intense April 2011 earthquake swarm that broke out in Hawthorne Nevada. Hawthorne Nevada is around 250 miles northwest of the Nye COunty Nevada Nuclear testing site. It may even be less in distance. AN intense mysterious earthquake swarm broke out on a fault that hardly produced any earthquakes in the past. And left geologists scratching their heads as to why such an intense earthquake swarm emerged in the HawthorneNev. region. The two internet sites that relate specifics of the April 2011 hawthorne earthquake swarm: “Months long quake swarm in Nevada” you tube 5/29/2011. a video account. THe second one is an article: (2) “geologists mystified by Nevada quake swarms” April 16, 2011. THe extinctionprotocol.
Hawthorne is in a area of rifting that has a geological past for volcanic activity and spilling out lava onto the surface of the earth. The two land areas drifted apart in the Hawthorne region thus creates what is known as rifting. This action accomplishes one important result, whatever “high nuclear testing destructive magma originated pressure” is exerting itself under the ground then the energy is hunting up these rifting geological areas for possible lava release and with that dangerous pressure could be reduced and lessened. The rifting geological systems are more inclined to release lava because their histories were involved with lava release and separation of two land areas with the volcanic activity that lava is emitted out from. Thus rifting, it is. The earthquake swarms in Oklahoma, Arkansas, Texas too involve rifting geology regions and also south of El Paso involve rifting geological areas. In Northern CHihuahua. Northern Chihuahua experienced unusual earthquake swarms concordant and thus at the same time as/with the Hawthorne earthquake swarms in April 2011. WHich could mean dangerous nuclear testing damage induced pressure involving the mantle sending up seismic energy probing for lava release and with that pressure reduction, and this process could be actively impacting the geological systems of Hawthorne, Oklahoma, Arkansas, Texas and Northern Chihuahua as the geological systems involvements with earthquake swarms in April- May 2011. With the intent of trying to release lava in the systems, unsuccessfully because of the past history of volcanic activity and rifting in these geological system’s geohistory was long ago and any favourable and adequate lava release system (i.e.volcanoes of active nature) no longer exist. it was phased out with geological time passing of hundred of millions of years, in some cases.. So only earthquake swarms occur in these areas.. That s a whole new area to get into with needed facts and data to support more thoroughly,and thus to cover —-but could be true. Too much to go into here.
But Tori Amos’ little earthquakes and mountains going level appear to be similar processes going on with these earthquake swarms in the western U.S.land midwest U.S. So the scary fact the apocalypse is on and present is a harrowing fact that could hold truth—only the developing facts into the next twenty years needless to say will relate a lot more factual clarity.

One of the reasons I am interested Kate Bush is from a spiritual and psychological approach to her music and creative behaviors and the like. I did a genealogy research my ancestors in England and found out that during shakespeare’s time, my ancestor William Horton married into the Hanson family of West Yorkshire, he married an Elizabeth Hanson. The genetic relatives of the Hanson gene pool were Brooke and Beaumont(English term for Beaumont was Fairbanks). I was interested to find from West Yorkshire in the 1600s a marriage between Fairbanks and Bush occurred. WHich left me wondering whether Kate Bush was a direct descendent of this marriage of the Puritan era. Katherine Brooke could have been a relative and participant with William Brooke the Elizaebthean English statesmen, who owned the Shakespearian companies and had an intimate participation with the creative environments of Shakepseare and whoever else in these creative and spiritual areas.. Note most interestingly, that Romeo and Juliet were written by Arthur Brooke originally.
So the Hanson, Brooke and Beaumont genes and families evidently were altogether to various degrees in West Yorkshire in the 1500 and 1600s. And my ancestor William Horton married into this gene pool as well as a Bush married into the Beaumont gene pool in the 1600s. The question is , is Kate Bush directly descendent of this Beaumont and Bush marriage.
One interesting psychological and spiritual fact is that there is evidence that the Indian spiritual religion: Eckankar’s leader, the Eck Master was present and circulating in England during that time. His name was Ismet Houdoni and he could have influenced Shakespeares’ work and such a man could have had contact and social interaction with the Hansons. Beaumonts, Brookes, and Hortons, and at the time. I wonder if there could have been mystical affecting of the genes and psyches of all of these family lines of West Yorkshire in the 1500s and 1600—though that is kind of a way out there idea that is hard to prove if it did exist.
What is interesting, is the fact that the Eck master Ismet Houdoni would be in the Eckankar principles of vairaj, the main principles of karma, reincarnation, and knowledge of the apocalypse. amongst other principles like staying detached from the world around us, since it is a spiritual evil riven trap plane for Human consciousness and the like. WHen considering Kate Bush & her subjects in her earlier songs that carry the following two significant facets. facet (1) She has the reincarnation, karma and apocalypse themes and subjects> THese subjects are also found in Shakespeare’s Henry IV< sonnet 59 predominantly and the Astrophel and Stella area of the sonnets. Even more striking, the Man with the CHild in His Eyes simply could be about the appearance of the current day Eck master, communicating to kate Bush about her karmic situations, and where she stands spiritually in the world and instructing her about the spiritual nature of hers. Significantly, As Kate Bush states in MWCHE,: her lyrics goes as: he tells me of all his loves to eternity. Something to that effect, wording may not be totally accurate. This idea is the same as, in the sonnet dedication: All happiness and Eternitie promised. All the loves of eternity that bring happiness, is what the sonnets dedication statement relates, and it is the same as the Kate Bush lyrics he tells me of all his loves to eternity. So there this striking similarity between Kate Bush's thinking with the Eck master appearance in her mind in MWCHE and this EcK master condition also existed in England in the 1500s and 1600s, where her ancestors possibly "the Bush person" that married into the Beaumont group, these individuals of West Yorkshire could have had participation with the Eck master Ismet Houdoni on spiritual matters. With West Yorkshire being possibly a primary location the Eck Master at that time was participant with. (2) Secondly she opened her career with Wuthering Heights, that too had its creation in West Yorkshire in 1800s. The same area as the Hansons, Hortons, Brookes and Beaumonts.
It interesting that Kate Bush's psyche and creativity have so much in common with the ideas and subjects of Shakespeare and the like. And her song 'man with the CHild in His Eyes' could easily be indicative of the spiritual appearance of the EcK master into her psyche in the 20th century as she relates in her Man with the Child in His Eyes song that she wrote around 12-13 years old, an age where the early adolescent mind is highly attuned and connected to the deeper presence of God and most likely such an Eck master.
And also the fact such an EcK master, or one Eck master of earlier times, was present in England influencing the works of SHakepseare, with the subjects of karma, reincarnation the apocalypse, and other planets that could be the destination for the human soul (Astrophel and Stella phenomena of the sonnets for example). As if to bring the issue could Kate Bush's ancestors pass down any Eck Mater influences from England in the 1500s, some mystical process that occurred there with her ancestors, whose later spiritual eckankar imbued traits showed up today within her creativity and influences that are so heavily imbued with the Eckankar subjects like karma , reincarnation, and the apocalypse. That could be an issue to consider.
In any case being a descendent from West Yorkshire during this Eck master presence that occurred there in the 1500s and 1600s, I have a lot of similar traits that Kate Bush possesses. I write and create music, I have a steely, despairing prefectionism at least in my childhood and adolescence when creating music. I trashed a lot of my music because it wasn't good enough. I also have a spiritual connection to the Eckankar areas of the psyche like Kate Bush has as she stated such connections in her song: MWCHE. And I retreat a lot from the world. It makes me wonder whether these traits that I have in common with kate Bush stem from any kind of influences of the 1500s and 1600s West Yorkshire environs where possibly the Eck master Ismet Houdoni could have been with my ancestors and hers also? Mystical influences on the psyches of the ancestors of West Yorkshire could have been handed down to descendents? Any way these are Some ideas on Kate Bush and what could have influenced her creative nature.

Over the recent days some people are paying 135 pounds to hear Kate Bush, perform next September and August. I would pay 135 pounds if she would write an article on what was on her mind when she created her songs like MWCHE, Love and Anger, Wuthering Heights, what led her to do a version of Elton John’s Rocket Man ect. One thing I like about Kate Bush is the fact that— “what” —-led her to write the song Man With eh Child in her eyes, because there is a definite allusion to what appears to be the Eck Master and his spiritual guidance for her, as the basic content of the Man with the CHild in her eyes. THe lyrics: I met a man that I had never known before. THe lyrics relate, something to that effect.. THose lyrics are very significant. The lyrics holds a lot of implications for the creative process, the daimonic, and an illustration spiritual dimensions of Eckankar principles and content. More specifically, the content of the EcK master’s appearance & presence to her.
How did she acquire such a highly sensitive inclination in her psyche to make contact with the Eck master, it appears, at 12 & 13 years old, when she commenced to write MWCHE. And what was her experiences intra-psychically with writing the piece. Its a real secret, rich and fascinating, — a clear facet of kate Bush’s spiritual nature that has never been explored or addressed by interviewers and the like. That most of the media and public would not understand its rich implications.
Furthermore, the Love and Anger song also has the lyrics: “What would we do without you.” The you is left simply anonymous. The you appears to be once again the Eck master, and the Eck master’s rich presence in kate Bush’s psyche. Popping up in appearance like in MWCHE. So there is this definite knowledge of a spiritual apparition man that is most likley the EcK master with/and within kate Bush’s psyche. It is definitely an area of her spiritual nature and personna to explore. And its fascinating no interviewer has picked up on it.
THe second fascinating facet of all of this, is one could come to the conclusion that , yes its quite possible that MWCHE and Love and Anger contain the presence of the Eck master and also the instatement of Eckankar principles and spiritual content appearing in the songs. As well as other K. Bush songs containing Eckankar content also like karma and reincarnation and the apocalypse as earlier posts have delved into. With this in mind one could say that one can find songs like Wuthering HEights that have no eckankar principles and spiritual content within their substance, in that Wuthering HEights was chosen by kate Bush because of the intense erotic attraction between Heathcliff and Catherine Earnshaw —this being the predominating subject and theme in K. Bush’s Wuthering HEights.. Yet that may not be a true statement. Because one of the major principles or beliefs of Eckankar is that Eckankar believes that religion is not the most powerful and suitable route to take for connecting with the genuine essence of God and God’s instructions and knowledge about one’s spiritual situation. This principle ironically was evidently well known by Emily Bronte. Emily Bronte’s poem: “No coward soul is mine” the lines are: “Vain are the thousand creeds/, that move men’s hearts, unuterrably vain,/worthless as withered weeds/or idilest froth amid the boundless main.” The words are a straightforward expression of a central Eckankar tenent and principle. The principle that only Eckankar and Eck Master are the spiritual areas one can proceed within to make one’s way into the heart of God. Religion is useless because it cannot make that all important connections to God, without the Eck Master. Like kate Bush sings in Love and Anger, “what would we do without you”. Those lyrics relate the importance of the Eck master in spiritual affairs, as K. Bush relates in Love and Anger’s content. Much like the Bronte poetry lines previously presented. Yet fascinatingly, the issue is how did West Yorkshire Emily Bronte, in the 1800s gain knowledge of this Eckankar principles. And with that mystery this same issue is exactly the same with Kate Bush. How did kate Bush achieve such a sensitive knowledge of the Eck master’s appearance and presence in her mind also. Both Emily Bronte and kate Bush possess this unusual high sensitization of either Eckankar principles and knowledge of the Eck Master.
Hence one of the reasons I have interest in Kate Bush. Because as earlier stated and thirdly, the inscription over the Barkisland mansion doorway, my ancestor’s domicile in West Yorkshire (the same region Emily Bronte lived within), contains a central Eckankar principle. That every action and deed is to be done int he name of God and the Holy Spirit. So there one has three Eckankar principles and content among three separate people in England: (1) William Horton and Elizabeth Gledhill Barkisland mansion doorway inscription. of the early 1600s(2) Emily Bronte’s “No coward soul is mine Eckist principle on the uselessness of Religion. From early 1800s (3) Kate Bush with MWCHE and Love and Anger – Eckankar principles and Eck master presence in that song. late 20th century.
West Yorkshire is where William Horton and Elizabeth Gledhill lived. And Emily Bronte was a resident of West Yorkshire. THe 1500s-1600s English Eck Master Ismet Houdoni could have had contact with with the Hortons and —most important—Emily Bronte ancestors who lived in West Yorkshire in 1600s. And Emily Bronte somehow could have received knowledge of these Eckankar principles from her earlier previous West Yorkshire Bronte ancestors. These earlier Bronte ancestors of the 1600s could have made contact with Ismet Houdoni and gained spiritual knowledge of Eckankar lore via him, no different that WIlliam Horton’s family could have. And is there an automatic popping up of knowledge of the Eckankar principles in 1800s Emily Bronte psyche from these earlier ancestor circumstances in 1600s West Yorkshire, a fact that easily could be. A phenomena that is exactly the same as with Kate Bush. Kate Bush has an automatic popping up of knowledge of the Eck master too, in her songs MWCHE and Love and Anger. A popping up hence in her psyche. Both Emily Bronte and Kate Bush are strikingly the same in this regards. As well as both are reclusive too.
Once again the dual brother sister marriage in West Yorkshire with the WIlliam Horton group and Gledhills, presented an unusual phenomena of two brother sister marriages on the same day in West Yorkshire between two sets of brother and sisters of Gledhills marrying into the Horton group. THis dual brother sister marriage could additionally present —-‘the paradigm model’ —– which Emily Bronte based the brother sister marriages of Heathcliff, Catherine Earshaw, and the Lintons, Edgar and isabella. Thus the structural brother sister marriage of Emily Bronte is linked back to the WIlliam Horton dual brother sister marriages. And with that linkage connects the Bronte dual marriage situation in Wuthering Heights linked to THe WIlliam Horton family that could have been substantially participant with Eck master principles and knowledge and knowledge of the presence of the EcK master. This would mean the Bronte use of brother and sister marriages in Wuthering HEights relied on an Eckankar principle possessing group, the Hortons and Gledhills, for the appearance of the brother and sister marriage structure and phenomena in Wuthering Heights. Thus Eckankar pricniples created the Bronte brother and sister marriage section ‘ of Wuthering Heghts. In substantial part also. So Eckankar principles are at play in the brother sister marriages in Bronte’s Wuthering Heights as well as in Emily Bronte’s consciousness as evidenced in her anti religion sentiments in her poem “No Coward Soul is Mine” lines.
To me its a real interesting round about involving i.kate Bush, ii.EMily Bronte and—iii. my ancestors the William Hortons of West YOrkshire. And the mystery of Eckankar influences that cropped up in all three. The Ecknakar like phenomena in kate Bush’s music and psyche is one of the most interesting and fascinating,(if not the most) facets of her music and nature. And hopefully one that can be explored somewhere in the future.

A further venturing into these Eckankar themes about the spiritual condition of the world around us and kate Bush’s participation within such eckankar subject areas. Kate Bush has songs that involve interest in other planets. She chose the song from Elton John called: Rocket Man. Its about an astronaut that travels to another planet. Additionally, in the song, there is a photograph of kate Bush in an astronaut’s suit bobbing in the seas. THe suit is orange and in fact a later article on this web site around March 2014 carries the photograph. One significant aspect of this is that within the eckankar subject areas, of reincarnation, karma and the presence of the EcK master and also the apocalypse–the subjects of traveling to other planets is a cogent subject sharing spiritual essence with the other eckankar possessing kate Bush songs. Because if the immortal human soul’s spiritual destiny concludes within this century on earth, the human soul has to travel somewhere, say to another planet. George Harrison related this subject area in some of his interviews. In that he felt like his existence was on another planet. Rocket Man contains content along this area. So the kate Bush Rocket Man subject, actual spaceship travel to another heavenly body (in this case Mars, a separate planet other than earth) could be a metaphor for soul travel to another planet in the universe. An endeavor carried out by human souls. That is another planet that is more hospitable for the human soul to take up its future spiritual and physical existence within. This theme could easily be present with kate Bush with her Rocket man theme.
But most importantly this futuristic planet subject is well coordinated and associative to the APocalypse and other eckankar spiritual subject areas. The lyrics from the Rocket Man song seem to contribute little slivers of this futuristic planet with an advanced futuristic human soul. Lyrics from Rocket Man: “I am not the man I think I am at home.” This lyric hints that the astronaut in the song is that the man has changed and transformed in some manner in that he is not the human being that exists on earth. After all he is different when he is visiting another planet. A different type of human soul. THis line of thought is present with Tori Amos in Little Earthquakes. With her the line of thought is the reverse of the lyrics of Rocket Man just presented. “Give me life, give me pain, give me myself again”. Other words Tori AMos states she wishes to be the human being on earth. Unlike the Rocket Man phenomena, where the man states while visiting another planet he becomes a transformed man a different human soul, a futuristic human soul, much different than the man at home on earth. that is opposite of what Tori AMos states in her apocalypse Little Earthquakes song. THat is Home is where she wishes to be in a sense to remain the man (human being) at home, the human soul also that is. Not to be the futuristic advanced person on another planet different than what he or she was on earth, home on earth that is.
More interesting is the fact, that in Rocket Man another interesting line:, “no where to raise the kids” the Martian environment is unsuitable for raising earth bound human beings. This is right along the line with Kate Bush’s Lizie Wan, Breathing, Room for Life, that the subject of raising kids or human souls existing into the future—the Mars environment or another planet for that matter is not feasible for continuing human being earth bound existences and life. Thus this theme and idea is like the Kick Inside cover and Little earthquakes cover where kate Bush and Tori AMos take on the role of being fetuses. And where do the fetuses come into existence? Earth as humans or a different futuristic human being person in the future? Both covers leave that issue open.
Whats interesting back in the 1500s and 1600s with Shakespeare and other poets, that were participant with an Eckankar spiritual subject themes, the poet Sir Philip Sidney and his sonnets Astrophel and Stella, meaning Starlover and star, are right along this line of thought. The following lines from sonnet 31 of Sidney relates another planet for a human soul to exist on. A theme found in Rocket Man. And lingering about within Little Earthquakes.
O Moone tell me, / Is constant love deem’d there but want of wit?/ Are beauties there as proud as here they be?/ Do they above love to be lov’d and yet/ those lovers scorn whom that love doth possesse?/ Do they call vertue there ungrateful noise.” This is Sidney’s focus on another planet, symbolic of the moon, and his ponderances, do the souls on this separate planet —are they superior to the moral deterioration of human souls of dying out earth. Also Shakespeare sonnet 59 has themes similar to this one: ” composed wonder of frames mended that is, a superior futuristic human soul in virtues that are superior to present day human souls.
kate Bush ventures into these subject areas with Rocket man, the song by Elton John. Also Breathing and Suspended in Gaffa are two other songs that introduce the prospect for the human soul living on a futuristic planet. In Suspended in gaffa she is catapulted in outer space amongst the stars, and in Breathing the post apocalyptic birth subject goes along with what appears to be travel to another planet, in the future. These subject areas also appeared with Sir Philip Sidney in the 1500s and 1600s when eckankar subjects and themes were showing up in the poetry of Shakespeare, Spenser, Donne and Sidney. And here the same subjects appear with kate Bush. In this case the futuristic planet theme.

Along the Eckankar themes and kate Bush. Once again kate Bush’s songs: Man with the CHild in His eyes and Love and Anger, appear to contain the highly all important presence and the influences of the Eck master on the spiritual nature and psyche of Kate Bush. WHich is a facet highly important to kate Bush, in that her soul is participant with the most favourable and spiritual powerful areas, that is the Eckankar principles and content and the Eck master. When it comes to the destiny of the immortal soul within the phenomena of the reincarnation cycle, karma and most like a developing apocalypse here in the world in the 21st century, needless to say, Kate Bush is in a favourable spiritual position if she has this connection tot he EcK master.
THe song Man with the CHild in His EYes, pretty much relates the presence and influences of the EcK master within Kate Bush’s spiritual nature and mind. And later in such songs as Love and Anger, the lyrics:” What would we do without you”, the “you” most likely is The Eck master. Note that she leaves the word you anonymous and thus, secretive in nature. There is no reference to Jesus, God, Mohammed, Buddha, or other religious figures, but simply a: “you”. And the you has highly spiritual power and influences on Kate Bush’s presence of mind. Even an indispensible need and presence of the Eck master in kate Bush’s mind, this “you” or better stated EcK master, is to Kate Bush.
One interesting facet of all of this above is the coming of the end of humanity in the middle of the 21st century with the apocalypse, according to Eckankar’s predictions. THis prediction is in the book and web site: “The Spritual Notebook selfdefinition.org” page 181, the work by Paul Twitchell. The quote on page 181 from this work: “All will eventually leave this world anyway because of the terrible disaster that is coming during the middle part of the twenty first century….[later]…..But now the Eck masters are trying to get people out fast so that they will never have to return again in physical embodiment.” End quote. THe immortal soul known as Kate Bush, has a deep and strong connection to such EcK masters, as MWCHE and L&A songs indicate. And if this disaster hits in the future, she has an interesting favourable position spiritually within the true graces of God perhaps, for her soul to spiritually survive such a earthbound catastrophe. Since she has a rich history with the presence of the Eck master at least if not earlier since 12 -13 years old, since the Eck master is a subject in her MWCHE. In other words she is not stone deaf cold to the inner pspritual realities of humankind, like the massive majority of humans are today.
From a Genealogical point of view, my ancestors in England particularly during the 1500s and 1600s, where their was the Eck master Ismet Houdoni, who was circulating perhaps around various English families—possibly Hortons, Hansons, Beaumonts Houghtons, Bush and Brontes–during that time. And further Eck master induced mystical characteristics of a favourable nature could have been handed down to descendents of these families during Shakepseare’s time. ‘Far out there thought’ but could be true. THe following web site: “Westyorkarms – Midgley web page” gives an overview of the families in West Yorkshire. THe family De Busli most likley means Bush and an overview of the de Busli is contained in the web site. And this family could have been Kate Bush’ ancestors. The De Busli family owned 46 manors in Yorkshire, 86 in Nottingham and also manors in Leiscestershire county. They were known as the de Busli of Tickhill. What i find very interesting is that my Horton ancestors were in the same two counties; Leicestershire and Yorkshire, as the Bush ancestors. So there could have been a lot of participation with the Bush and Hortons down through history in England. And today, most interestingly, during Shakespeare’s time, that is the time when this Eck master Ismet Houdoni was in England, the 1500s and 1600s, The Leicestershire branch of Hortons mysteriously moved to West Yorkshire. In fact historians, have studied and battled over what were the reasons for such a move into West Yorkshire from Leicstershire by the Hortons. I have always thought it could have something to do with the Eck Master of that time Ismet Houdoni who could have been in Yorkshire at that time. Neverthelss there were Bushs in Leicestershire county and Yorkshire, and there were Hortons in Leicestershire and Yorkshire counties, down through England’s history. And I wound up with all these same spiritual traits that kate Bush has. Creating music, high anxiety, retreating, perfectionism, and a strong connection to Eckist and eckankar principles and the Eck masters Paul Twitchell and Sri Harold Klemp. Could such similarities I have with her originate from this time in the 1500s – 1600s in england since an Eck master was present there also?. Hence one area that keeps my interest in kate Bush.

More on the eckankar subject and themes in kate Bush’s songs. In Kate Bush’s Love and Anger, Man with the Child in His Eyes (MWCHE), and Rocket Man Kate Bush does a great job of using wind and human breath as features that embody and express the holy spirit. In religion breathing and breath, as well as wind, is expressive of the holy spirit in man. In Rocket Man for example, Kate Bush does a wonderful job of combining the spiritual essence of divine spirit as embodied in wind with what seems to be a straightforward space travel trip involving astronauts and mechanical space ships trips to Mars. That is in the props of her video Rocket Man. As one views the visuals and the props contained within the visual segments of Rocket Man one finds her and the accompanying singers, existing with wind blowing into their faces, along with light shining on their faces. These features easily could convey the divine holy spirit expressive of light and wind. In one point of the video outer space is illustrated with a fabric sheet undualting with waves created by wind blowing under the fabric sheet. This is while the trip into outerspace is occuring. This visual gives the idea, that the trip to another planet is a spiritual one along the essence of God. A soul travel trip with the soul primarily or exclusively visiting another planet. This phenomena is more like the Sir Phillip Sidney astrophel and Stella concept as found in sonnet 31, when Sir Philip Sidney ponders the souls on another planet and their superior virtues to earth bound humans. Perhaps in both Rocket Man and The Sonnet 31, the futuristic planet with new spiriutally advanced human souls is the main theme when the apocalypse occurs on earth.
Also the same use of wind blowing into ones face with divine light shining into the face is likewise found in Love and Anger. The visual that is most prominent in this area is Dave GIlmour experiencing these effects. In the Man with the child in his eyes, the actual breath of exhaling by kate Bush at the very end of the video is expressive of a substantial expression of the holy spirit since the religious phenomena of atman is embodied in that final scene of MWCHE video visuals. Three major features of MWCHE that connote a strong spiritual and divine essence to the video are: (1) The Eck master is highly present and prevalent in the substance of the video,visuals and lyrics, thus this could be the most powerful spiritual entity on earth that is connected to the divine. The EcK master is known as the paraclete in Christian terms (John: 14-17: describes a good account of the paraclete). (2) Kate Bush is in a yogi position, in the final parts of MWCHE video visuals. Her sitting posture with arms laid over her knees relates a powerful inclined body posture involving the chakras of the spine, a position for connecting to the divine spirit. (3) The breath that exudes from kate Bush while in the lotus psoition in the final frame of the video visuals of MWCHE, simply in itself relates holy spirit. As a quote from a web site: “Our word spirit is derived from the Latin spiritus, which means breath” And here the breath from kate Bush’s exhaling occurs at the end of MWCHE video. In fact the use of wind and breath as indicative of the holy spirit, in the above videos of MWCHE>>The hawthorne swarm, The Long Vallley/Mammoth lakes swarm, Reno Nevada swarm, are within this rifiting zone. Also additional swarms of late,in Nevada, occurred within this rifting zone. The 7.2 Baja Califonria quake of Mexico, along with the Brawley earthquakes swarms of southern California occured within the rifting zone. The earlier video on the Hawthorne Nev. swarms illustrate this rifting zone and these quake swarms within the rifitng zone. that runs through Nevada and southern California upwards into British COlumbia.
The major fear that I have, though no scientific facts of yet is present to validate it is: if nuclear testing nuclear bomb explosions have seriously damaged the mantle beneath the earth. The following geological development could have occured. “Dangerous underground damaged mantle originated high pressure” that could sink large portions of the earth’s surface killing off humanity in the future could now be in existance from nuclear testing. Because the rifting zones geology with their volcanic features would be the most favorable inclined geologic systems to reduce the dangerous pressure from such a damaged mantle. The rifting zones historically contain volcanoes. And the volcanoes release lava in volcanic activity. And with that action underlying high pressure conditions are reduced and diminished. The earthquake swarms in these rifting zones could be indicative of attempts to reduce dangerous damaged mantle created high pressure conditions in the earth’s interior.
Thus the earthquakes, in B.C. Baja California Mexico (7.2) < hawthorne Nev, Reno Nev, Long Valley Ca. and the B.C. earthquakes—–all have an intitmate connection with Kate Bush's Breathing. Because in kate Bush's Breathing, nuclear testing bomb explsoions bring on the apocalypse. And the Nevada nuclear testing sites with its nuclear bomb explosions lies within this rifitng zone or near it. And all the above earthquakes in the rifitng zone could be the most intimate collection of earthquake phenomena caused by nuclear testing damage & nuclear testing bomb exposion's apocalyptic effects. That is, this rifitng zone earthquakes of various locales up and down the western U.S. and Canadian coasts could be caused by the nuclear bomb explosions that Kate Bush relates in the Breathing song. Thus these rifitng zone earthquakes cited above are the most closest and intertwined quakes to the subject content of Kate bush's Breathing. Because in Breathing nuclear testing damage creates the apocalypse and these quakes originate from the Nevada nuclear testing site's rifting zone. In that the nuclear testing site lies within or near the rifting zone that also contains the locales where thes above related quakes occurred within. The most harrowing intial unusual swarm activity being at Long valley in 1978-1980, with the Long valley volcanic system only 200 miles away from the Nevada nuclear testing site. The early appearance of this unusual Long valley earthquake swarms and caldera floor rising appeared twenty to thirty years before all of the subsequent unusual similar earthquake swarm activity in the midwest U.S. and along above the cited rifted zone. So this Long Valley earthquake activity of 1978-1980 could be closely associative to the the harrowing apocalypse effects of kate Bush's Breathing nuclear bomb explosion igniting of the apocalypse.

BTW, you may notice one thing about my aboce writing style. In my writing I tend to repeat facts over and over again, or ideas. This writing fo repetitive facts I have is the perfectionist tendacy and phenomena in my creative nature. And this stubborn frustrating perfectionist bent or process in my emotional & spiritual nature is very similar to the frustrating perfectionist processes that kate Bush too possesses. I get hostile, anxious and I can feel the biting in my emotional state arise, or chewing away on these ideas, trying to keep refashioning them wanting to say accurately and most richly what I want to creatively convey. It can get to the pont I just junk everything, the prefectionist tendacy that chokes off the whole of the creative endeavor to begin with, occurs a lot of the times and thus I retreat back into my own world. With these thoughts, thus a significant issue, kate Bush and I came from the same ancestor's area of England. West Yorkshire, and Leicestershire for example. I have always wondered that how much of this frustrating perfectionist state of mind could have originated and developed form any mysterious conditions in england at that time. Involving the Eck master with mysterious spiritual mystical influences on my ancestors that could be passed down to descendents later on. This also goes the same with Kate Bush's ancestors from this same earlier historical time. In any case, the repeating frustrating prefectionist phenomena in my above writing, I have wondered, is pretty the same, or actually could be the same as the prefectionist phenomena activity in kate bush's creative song writing. Because of these earlier historical reasons involving our ancestors & the Eck master in England 1500s-1600s. A way out there idea but some truth could be inherent to it.

Kate Bush’s song Breathing introduces 3 major spiritual themes. (1) The apocalypse brought on by nuclear bomb explosions is present in the video. (2) A post apocalyptic pregnancy occurs evidently. What is unusual and interesting about the post apocalyptic birth, the human child/ or human soul, either one will do, has to be born on another planet. An earthbound apocalypse would make environmental conditions unsuitable for fostering any type of human life. So the pregnancy in Breathing would have to issue forth a futuristic new type of human child, a being that would logically have to occur on a futuristic planet, separate from earth. What is interesting about that prospect, is that the spiritual process and operations predominate on earth, and such spiritual processes incorporate the immortal human soul & these processes can make such a futuristic human being of different advanced spiritual type possible: via soul travel of the immortal human soul. Since the human soul is immortal, and is a born entity or product of pregnancy, ‘a post apocalyptic pregnancy’ is primarily a spiritual pregnancy involving a birth of a human soul. And the process of the invisible human soul travelling to another planet within the actions of spiritual processes and operation is most likely feasible. The catch is, you have to die first in order to put such spiritual interplanetary soul travel into action.
(3) Her lyrics “Give me something to breathe” which means the ‘nuclear bomb explosion induced apocalypse’ brings on earth’s death. kate Bush’s use of the phenomena of “Breathing” means the baisc major entity of her spiritual soul (that being Breath) is diminishing and leaving earth. Breath means spirit and spirit is the essence and substance of the divine, and the immortal human soul. so the immortal human soul ceases to exist on earth with the onset of the apocalypse. The lyrics “Give me something to Breathe” indicates such diminishment of the immortal human soul’s presence and lives on earth.
Thus the most fascinating illustration of the nuclear bomb explosion apcoalypse by kate Bush is that she also adds in the spiritual facet and dimension with the phenomena of breathing in her song: “Breathing”. Using Breathing one could say its simply inhaling and exhaling as a physicological process. But that does not have any real substance of a subject or relevance with “a nuclear testing bomb explosion effects.” Yet when the physiological process of breathing is thought of in a spiritual sense, of the holy spirit and immortal soul, with this view, the future of human souls becomes apparent & present in the video as the only feasible route for the continuane of the human race into the post apocalyptic future. And that is through soul travel to another planet. This theme occurs in Breathing and Rocket Man.
Interestingly from the previously mentioned web site in precedent posts of April 1, the web site: “In All Traditions, Spirit means Breath of Wind/1000 petals”, a quote comes. The quote: “Sanskrit scripture: Atharva Veda – “Whosoever be driven by the breath of life, he will be reborn.” This scripture passage can be compared to Kate Bush in her Indian yogi position in MWCHE, at the final frame of the video visuals, exhaling a deep breath. Kate Bush, illustrates breathing as a predominant last spiritual action in the MWCHE last video visuals. Thus the subject of reborn or rather being reborn is present in the final video visual of MWCHE, with Kate Bush’s exhaling breath. Likewise in the video Breathing, the two subjects are present: i.breathing itself ii. and the apocalypse> and again the apocalypse, points towards the human soul being reborn into the future. And being reborn as futuristic being. iii. pregnancy is in Breathing, which also introduces the idea of birth. And with that a post apocalcyptic birth being a subject in her Breathing video and song, that area could be interpreted as being reborn. Also. So this 1000 petal quote of Breath and reborn, interestingly is well present and prevalent in kate Bush’s song: MWCHE and Breathing. And alas there is a third song of Kate Bush that introduces the process of breathing and being reborn in the same process. In her Morning Fog such process is found. And found in the lyrics from The Morning Fog. Such lyrics that express this idea is: “The light begins to bleed, / begin to breathe, begin to speak….I am falling like a stone, like a stone , being born again, into the sweet morning fog.” She is being reborn again when breathing appears. And with breathing appears ( that is begin to breath, as states in the lyrics) and being reborn with such breathing action, kate Bush simply expressses the same spiritual wisdom and meanings as in the previously mentioned Atharva Veda passage. That is breathing is also being reborn which that Sanskrit passage relates. The additional kate Bush words in her lyrics: Light and speak, the speak meaning sound, and that is the sound of God, these two phenomena are the fundamental items of Eckankar. Eckankar being the religion of Light and SOund. So in her Morning Fog lyrics she relates also basic Eckankar phenomena in terms of light and sound.
In Morning Fog her being reborn again also could designate being reborn as futuristic spiritually advanced new type of human being. Once again, Kate Bush taking on the role as fetus on her album cover the Kick Inside, opens the issue of ebing born somewhere in time ahead into the universe. The question is, is she a human or a newly advanced spiritually advanced that is type of human being. Tori Amos likewise appears as fetus on her album Little earthquakes. And with the Little earthquakes subject substantially designating an apocalypse situation, she tends to be more leaning towards being born or reborn as futuristic human being type of different order than a human being.

Kate Bush’s The Sensual World has an interesting meaning to the title. In that the word: “Sensual” tends to mean a spiritual attachment to the pleasures and temptations of the world around us. in Eckankar’s perspective, attachment of the world, perhaps better put as the sensual world, generates karma and spiritual and emotional distress and problems. The opposite of attachment, that is a human soul involved and immersed in the spiritual world is Nirvana. And kate Bush’s songs and videos are indicative of the subjects of karma attachments to the lower world plane which earth occupies, and also nirvana subjects in her songs crop up. Especially within the songs of her’s: “Love and Anger” and “the Fog”. Both songs are from the sensual world.
“Wikipedia: Nirvana” supplies a lot of the information about the nature and essence of nirvana. Nirvana literally means; “Blown out’ as in a candle. In Indian religions, the attainment of nirvana is moksha, liberation from the cycle of rebirth. In the Buddist context, nirvana refers to the imperturbable stillness of mind after the fires of desire, aversion, and delusion have been finally extinguished.” end of quoted material from the wikipedia article on the internet.
In the previous paragraph the fires of desire, aversion and delusion are spiritual attributes of the Sensual World. And with these spiritual attributes, karmic in essence, can create serious spiritual problems, serious enough that a human soul may find themselves in a flaming astral hell or prison with its fires engulfing one’s being. It sort of funny that in Kate Bush’s video, and song: The Sensual World, she is walking along a path, in the woods and she starts singing words from James Joyce. The Joyce words are of sexual desire and allusions, and the desire to eat foods like a crumbcake of some sort—these subject matter are contained in her lyrics of the sensual world. In Eckankar, the deadly passion of lust includes sexual desire and most interesting, desire for certain foods. Spicy foods and the like. Interestingly enough the appetite for such foods is a part of a deadly passion: lust. I think it is lobha or maybe kama the word for lust in Eckankar. Both probably are not correct. So the subjects of exotic foods and sexual desire appear in the opening visuals of the video of kate Bush’s The Sensual World.
As she walks the path after these subjects are introduced, suddenly the fires of hell evidently start to open up in the forest area around her ambulatory path. The fire could be representative of astral hell fires. She becomes unsure of her steps, she stumbles, her countenance fraught with uncertainty and fear. Even perspiration breaks out across her face. So even this “Sensual World video visual progression” the content of nirvanna and the opposite spiritual state connections and attachments of the lower world, that is the Sensual World around us are present in the song. And with all of this, another Eckankar facet of karma and its attachments in the term of lust is present with nirvana implied in the backdrop of these video visuals of the Sensual World.
Further exploration of the phenomena of nirvana. From “wikipedia: nirvana”.
Phonetics – Nirvana is a compound of three phones ni and va and ne. >>>ni(nir, nis, nih): out, away from. without, a term that is used to negate. va: blowing, as in blowing of the wind and also as smelling, na: nor, never, do not, should not.
Looking at some of the syllables there are some that appear in Kate Bush’s songs and album titles. Na: for example means never and this eternal state of nirvana possess the characteristics of never, a condition of timeless eternity. Kate Bush has an album called Never for Ever. And she uses the nirvana word never and combines it to ever, the ever meaning timeless and eternal as a spiritual dimension to the word.. So the result is never for ever. So once again here is an example of the Ecaknkar principles of nirvana present in her albums.
What is fascinating, that in the sensual world, she has the song Love and Anger and THe Fog. In Love and Anger, anger also is ‘an attachment deadly passion’ and thus in this song from the Sensual World, the sensuous deadly passion is once again illustrated.
The song from the Sensual World, the Fog is also interesting and has the karmic spiritual state inherent within it. THe opening lyrics goes: “You see, I’m all grown up now/ He said”just put your feet down child” cause you’re all grown up now.”/ Just like a photograph I pick you up/ Just like a station on the radio/ I pick you up/just like a face in the crowd/ I pick you up/Just like a feeling, that you’re sending out/ I pick you up…But I can’t let you go/You slip into the fog…This love is big enough for the both of us/The love of yours/ was big enough to be frightened of…” The Fog represents the confused spiritually opaque essence of karma and its conflicts that grasp the mind. What is interesting is Kate Bush leaves the issue of the “He” in the song open. It sounds like her father but she does not designate the He is her father. With this open quality the He is the Eck master most likely. Kate Bush picks the Eck master up in her mind like a photograph, or a station on the radio, or a face in the crowd, just like a feeling that the Eck master is sending out. These lyrics most likely are about the same Eck master that appears most prominently to Kate Bush in MWCHE. SHe sings in that song; I listen to a man that I never met before, ….he tells me all of his loves to eternity….I just took a trip with him. This same MWCHE manin his eyes that kate bush meets in her mind at the time in her retiring at night is most likely the same He in the song: The Fog. So with the Fog , the song from the Sensual world with all of its karmic attachments and pitfalls, the fog is a expression of attachment to the world around us and a clouded state of karmic essence within Kate Bush’s mind. And the appearance of the EcK master in the song the Fog is an appearance of spiritual guidance through the evils and karma laden world that is represented by the phenomena fog.
What is interesting in later separate album, she uses the phenomena of Fog also as a central subject matter of a song. THe Morning Fog is the song. And in that song, the nirvanna items are most present. That is the items that are found in spiritual states of nirvana. She sings of the light begins to bleed, begins to breath, begins to speak. Breathing is connotative of spiritus, the holy spirit, God in the essence of light, and speaking as sound, sound being a manifestation of God. Light, Breath, and speak are all attributes of nirvana& God. And instead of the fog being a clouded state of karma, the fog in the song Morning Fog is one of nirvana the ooposite as in her song the Fog. THe Fog in the song The Morning Fog is transformed to divine essence of nirvana qualities, where formerly it was a lower world attribute of karma, in Kate Bush’s the Fog.
This transition gives an emphasis of kate Bush’s the Sensual World album and Eckankar dimesnion, with karma being more prevalent and emphasized in the content of the songs. And with the song fromt he album, the Fog we find the Eck master appearing with guidance of spiritual essence to kate Bush within the karma state of the Fog. The fog is like the content of Be Kind to My mistakes. In Be Kind to my mistakes, the lyrics:we can do this together…, that is these lines address karma with the Eck master’s help and guidance…this line of thought is similar to the lyrics fromtthe Fog…THis love is big enough for the two of us. THe love being the kindness of enveloping the karmic mistakes indigenous to our spiritual natures with the Eck master’s help. So the Be Kind to my mistakes lines and the Fogs lies are essentially about the same thing.
The use of Fog particularly initially in the song the Fog and later on another album the Morning Fog is an interesting transitional quality of how Kate Bush utilizes these two songs. She starts with the subject of the fog in the Fog as an attribute of evil and darkness, karma, and then later in Morning Fog, the fog is transformed to a nirvana state of spiritual divine essence. THe simple Nietzche principle of all evil is nothing more than energy in need of transformation. Evil converting to good, that is—and this phenomena is central to EcKankar also in terms of karma and karmic conflicts carrying out a purifying of the soul. These principles are present in kate bush’s song the Fog and transiting to later and subsequently, the Morning Fog, the latter with its nirvana essence to its meanings.
An ABC TV NEws report with Dianne Sawyer on the CHile earthquake of past week, there was an interview with a four year old little CHilean girl. THe interviewer asked her: What did you think of the quake. She responded; The earth was dancing.” That image made me think of kate Bush’s Red Shoes video, where she can’t stop dancing. Because she did something wrong. It was as interesting interview.

Kate Bush’s Man with the CHild in His Eyes could easily be about the Eck master. THe Eck master thus would be the most powerful spiritually embodied person on the planet and thus would be the primary and optimum source for addressing spiritual problems in one’s nature. She sings in the song that before she retires at night, he appears to her, and she says he is a man who understands all of her situations. He is also an individual who tells her of his loves to eternity. And also she takes what appears to be a soul travel trip to the planes of God with the MWCHE.
All of this points to one fascinating fact. If one has Man with the child in His eyes for such massive spiritual guidance, one hardly needs the Bible, Torah, Koran, or any other religious text for spiritual guidance and resolve of ones spiritual difficulties. The man with the CHild in His eyes is the only being for one’s complete address to spiritual problems in one’s spiritual nature. The Eck master, that is, is the MWCHE and can deal with all of these spiritual problems. Thus with all of this there is no need for religion and religion’s inadequacy for confronting one’s spiritual problems is present, and this is a theme thus in MWCHE.
There are three other artistic and religious areas and passages that relate this MWCHE theme just presented above. And hence the three areas are closely associated with the Kate Bush MWCHE content on this theme.
THe first area: (1)THe Bible, Matthew 5;17-20. THink not that I am come to destroy the law, or the prophets: I am not come to destroy, but to fufill. For verily I say unto you Till heaven and earth pass, one jot or one tittle shall in no wise pass from the law, till all be fufilled. …[Matthew 5:20:]…..For I say unto you, that except your righteousness shall exceed the righteousness of the scribes, and Pharisees, ye shall in no case enter into the kingdom of heaven.’ end quote. The line Your righteousness shall exceed the righteousness of the scribes and pharisees—-this is like saying Kate Bush’s contact with the EcK master, that is the man with the child in his eyes, with such contact she shall gain a further and more stronger and powerful understanding of the essence of God and his righteousness, than what can be found in the writings of the scribes and the pharisees or any religious texts Kate Bush comes across. Also Jesus thus participated with the EcK master at this earlier time in the middle east. Also in the Matthew 5:17 passage, Jesus states: THink not that I am come to destroy the law, or the prophets—which is another way of saying that Jesus is introducing himself as the Eck master (which he was not, that another story though) and that religious texts such as religious laws and the ways of the prophets, are inadequate with the coming of the EcK master(paraclete in Christian terms, the EcK master is) and the Eck master’s individual relationship to another human soul that requires no religious texts involvement. This fact is present in these Matthew lines. So in the above content, the Man with the child in His eyes themes are the same as in the above matthew passages.
(2) Interestingly, later, in the 1500s and 1600s with Shakespeare’s arrival in England, the Eck master Ismet Houdoni appears too. As an EcK Master, a spiritual person thus, as such, as the EcK master during Jesus’ time in Judea. That EcK master of Jesus’time was a man called Zadok. Jesus tried to make himself into an EcK master but most likely fell short. And fell short of the real EcK master at the time Zadok, buts that another story and too much to get into here. And the following web site echoes the same theme as the Matthew passages of also. THe web site: “Ignastius Insight: Will the real Shakespeare please stand up?” Joseph Pearce. The web content contains thoughts by the literary philosopher Santayana. And the major subject that Santayana introduces in regards to Shakespeare is that there is no religion in Shakespeare. Alogn with the Santayan theme is the second idea: the EcK master emphasizes that only a relationship with him can get one into the God planes and religion falls short of accomplishing these ends—and this theme is present with Shakespeare slong with the no religion phenomena with Shakespeare. And thus this theme greatly gives impetus to the fact that Shakespeare’s works were heavily influenced by the EcK master at that time. Ismet Houdoni. THis santayana theme thus also is similar to Kate Bush’s MWCHE, the man that awaits for her when she retires and during that time she discusses spiritual situations with the Eck master. Kate Bush does not need religion when she connects up with the Eck Master (MWCHE) at the time of retiring, when they both discuss her spiritual situations. So the Santayana theme of No religion in Shakespeare has a lot in common with the MWCHE.
(3) The third area occurs in West Yorkshire in the early 1800s. Emily Bronte’s No Coward Soul of Mine lines, relates the uselessness of religious texts to connect to the real essence of God. That is such real essences of God as kate bush relates, with the MWCHE and his ability to understand all of her situations. That is all of her spiritual situations. The Bronte lines: “Vain are the thousand creeds/ That move men’s hearts, unutterably vain/Worthless as withered weeds/or idelest froth amid the boundless main.” end quote. Like the Santayana theme and also the Matthew 5:20 passage: “For I say unto you, “That except your righteousness shall exceed the righteousness of the scribes and pharisees..” That is the scribe’s religious writings and texts need to be exceeded with the participation with the EcK Master that is the MWCHE in in order to make spiritual progress for one’s soul.

The three above literary areas have many connections to the content of Kate Bush’s MWCHE. And also emphasize that the man with the CHild in His Eyes is the Eck master that naturally appears to kate Bush at time of retiring at least during her age of 12-13 years old when she wrote the song. And with such a significant spiritual connection no need of religion is necessary for such a spiritual participation.
Also very interestingly note that in Engalnd in the 1500 and 1600s there is a strong presence of EcK master involvement and eckankar pricniples with Shakespeare. But it does not stop there. Later in England, in the 1800s in West Yorkshire, Emily Bronte relates in her poem No Coward Soul of Mine, strong Eckankar principles. That is the inadequacy of Religion to connect to the essences of God. These cited above Bronte poem lines are reflecting the same themes and ideas as Jesus related in Matthew 5:17 when he states that he has not come to destroy the laws or the prophets, which is another way of saying how vain the laws of the prophets and general religious laws are when it comes to connecting up with God. So later in the 1800s In England another artist Emily Bronte relates strong Eckankar principles in her poem No Coward SOul of Mine. This is an interesting situation and relevance to kate Bush.
Because when Kate Bush started her career with Wuthering Heights, the only thing on Kate Bush’s mind was that she simply wanted to introduce a song whose content and theme were on the erotic attraction and relationship between Heathcliff and Cathy. Little did Kate Bush know that her subject of Wuthering HEights also had very strong affinities to Emily Bronte and Bronte’s participation with Eckankar ideas, that is Bronte as the conveyor of Eckankar principles and tenets. And that Emily Bronte’s soul and mind were immersed within Eckankar lore—where Emily Bronte got such strong understanding of that is anyone’s guess. Thus Wuthering Heights has a lot of common ground and association to the man with the Child In his eyes, with MWCHE’s eckankar content. Because the Man with the Child in His eyes is about Kate Bush’s spiritual connection to the EcK master and with that connection to Eckankar principles and content and lo and behold, Emily Bronte also like Kate Bush was immersed in Eckankar principles. So Wuthering Heights and Man with the Child in Hies eyes are in the same Eckankar principle and content areas and have the Eckankar connection and similarities between both songs. Even though kate Bush never considered any eckankar content or principles in mind when she chose to write and present Wuthering HEights. Her MWCHE definitely has EcK master content within it. But both MWCHE and Wuthering HEights are immersed within Eckankar lore and content as cited in the reasons present above in this post.

The two Kate Bush songs: the Big Sky and Rocket Man have soul travel to other planets as a potential theme of the songs. This theme also comes with the apocalypse theme in Kate Bush’s Breathing. In the Big Sky the lyrics start out with the once again anonymous you. The you could be the EcK master. THese lyrics start as: “I m looking at the Big Sky/ You never understood me/ you never really tried” end quote. It seems Kate Bush is miffed at the EcK Master, claiming that The Eck Master never really tried to understand her. Yet this lack of understanding on the the part of the Eck master occurs with exploring the heavens by Kate Bush. Exploring the heavens, the stars and other planets is an action Kate Bush endeavors towards with the presence of the Eck master. The lyrics then continue: “Quick cause its changing in the big sky… cause we’re leaving in the big sky” The human race or a part of it at lest is leaving earth and heading to the Big Sky. For its future. After changes in the human soul is occuring. The futuristic planet theme is present in the Big Sky lyrics and video visual presentations.
The presence of superman in the Big Sky video visuals implies a new futuristic type of human being on a futuristic planet. This superman character introduces a presence similar to Shakespeare’s sonnet 59: “What would the old world say of the composed wonder of your frame, when we are mended (made advanced and superior)> SOmething to that effect. Superman is a superior being to regular humans> characteristic that sonnet 59 also relates in regrds to the newly advanced fair youth. There is also a spotlight with an airplane traversing its lighted face in the video visuals of the Big Sky. The spotlight gives the impression of a separate future planet that exists in the Big Sky video visuals. The opening scene of the people waving goodbye to earth, gives the meaning that they are headed to a futuristic planet that crops up around the 2:00 mark. So the Astrophel and Stella theme is present in Big Sky, with such earth people going on a soul travel journey to take up in a new world, a new futuristic planet. Big Sky hence is the same as Rocket Man because ROcket Man has a seprate planet also in its content. And the astronaut transforms to a new type of person or man that is different than he the human back home with his wife and kids. Also one cannot raise the kids on Mars is a lyric in ROcket Man. THe kids represent future generations of human beings. WHich is saying future human beings or souls, different than the former human souls will inhabit the futuristic separate planet. Human souls of the earthbound sort will not exist in the future generations on this planet, that Rocket Man has made contact with. Once again the Astrophel and Stella theme is present in the Rocket Man song.
Astrophel and Stella, a collection of poems and sonnets originally from the 1500s & 1600s Sidney has further expansion as the Dark Lady sonnets of Shakespeare also known as the Astrophel and Stella theme and subject matter which the Dark Lady sonnets are based upon. In Shakespeare’s Dark Lady sonnets the two fascinating themes and subject matter are: (1) The Dark Lady represents funerals, mourning, black, the death aspect of life. In this case the death of human life on earth. (2) Fascinatingly, this death oriented themes are combined with the starlover and star phenomena, that is the Astrophel and Stella subject area. The Astrophel and Stella subject introduces a new planet for the futurististic human soul to take up within when earth dies out. So in Kate Bush’s The Big Sky and Rocket Man, this astrophel and stella phenomena with earth’s dying out is present in both songs, at lest via strong implication. After all she did her song: Breathing that did have an apocalypse theme within it. And Breathing thus has the Dark Lady phenomena of black, mourning and the dying out of earth.
As Rocket Man lyrics relate: The astronaut is on a timeless flight. The lyrics don’t make quite sense in a standard space travel endeavor where the timing, and time period of the space journey is calculated to a precise segment. Rather the more unusual timeless quality of time and experience is related. And the eternal is timeless, and this timeless word designtes more of an eternal human soul soul travel journey rather than a standard space flight.
Thus Kate Bush’s songs Breathing with the apocalypse and her lab technician friends travelling to another planet, the song Rocket Man with an actual travel to another planet, and thirdly, the song: Big Sky with travel to a future planet with a number of human beings or souls making the journey. These three songs once again suggest a communicating of the Shakesperian themes of earth’s end, and the Astrophel and Stella phenomena with humans taking up on a futuristic planet. The fair youth in sonnet 59 has the composed wondrous frame mended, that is advanced and superior, compared to antiquated former human beings. THus the futuristic planet with this Brave New world environment spiritually waiting for the human souls, or some humans at least, in the future is present in sonnet 59. Kate Bush’s Rocket Man and the Big Sky evidently relate the Astrophel and Stella theme, inherent in the content of her songs, and with her EcK master senisitized mind that shapes her creative songs, she relates these substantial shakespere themes in her songs. The futuristic planet with an advanced human soul type long with the apocalypse.

Additionally there are two astronauts in the group of people in the Big Sky video visuals. Space travel, to Stella for the Astrophel group is conveyed with the use and presence of the two astronauts. Meaning a future planet is the destined locale and arrival point for the people in the Big Sky song and video visuals.