Kate attended a special ceremony at the Royal Academy of Arts tonight as part of the Queen’s Golden Jubileecelebrations. The event honours the work of young artists to which the Queen donated prizes. Kate was introduced to the Queen with Mick Hucknall of Simply Red. It seems she had trouble recognising many of the big names. Sky News spoke to Hucknall: “I could not tell her we had met before – that would have been a faux pas,” said a gallant Hucknall, who stayed close to Bush throughout the evening. ‘I just said we were singer-songwriters. I’m not offended, after all she’s a grandmother’….Bush, who was introduced to the Queen with Dynasty and Tenko actress Stephanie Beecham and former Monty Python cartoonist Terry Gilliam, said: ‘She had to ask us all who we were…but she was lovely – she was radiant.” Gilliam later admitted to the BBC that he was amazed she hadn’t recognised people like Kate who are known worldwide.
Category: Other artists Page 7 of 11
In ‘Scotland on Sunday’ (12th May) on their weekly ‘Culture Test’ feature the interviewer asked several questions of Cara Dillon. Born in 1975 in Dungiven Co Derry, she began work on her eponymous debut album which was released to critical acclaim on Rough Trade Records last year. She supported the Indigo Girls at the Queens Hall, Edinburgh on Monday, has recently supported Brian Kennedy and was one of David Gilmours guests at his recent Royal Festival Hall dates which Kate also took part in. Interview excerpt: “Q: What would your Desert Island Disc be? A: Kate Bush’s Hounds of Love. Its such a beautiful, lyrical album and you could never mistake the voice of Kate Bush. She’s a one-off. Q: Which artist has had the biggest effect on your life? A: Kate Bush has inspired me musically but the poetry of WB Yeats really allows me to escape to another world.” I highly recommend Cara’s album, definite shades of Kate’s vocal style on some of the tracks (Craigie Hill, I Am A Youth That’s Inclined To Ramble) applied to trad standards and some great original songs. Cara is already receiving deserved widespread acclaim. (thanks to Malcolm Calder for the interview quotes)
Stuart Elliott has been interviewed on the “Drummer Interviews” site. Here’s some quotes: “I am doing a new album with Kate Bush. This is a lot of fun as she has kind of gone back to wanting drums, by that I mean by not restricted by not using hi-hat and cymbals and not relying on all that massive gated reverb stuff. She has opted for a more sensitive, even jazzy approach which, as chance would have it, I have also gravitated back towards….I bought a Sonor Jungle snare for about $100.00. It is about ten inches in diameter and two inches deep. What a sound though! It’s Kate’s favourite at the moment…I plan to continue with the composing, and of course, look out for Kate’s new album!” (thanks to Michael Leitz for spotting this, the interview would appear to be genuine, though not part of any official site)
Newsbits: Singer Heather Nova comments that she’d like to work with Kate in a chat on her website here….Conrad Kelly of band The Undead has recently said this about Kate while choosing Lionheart as one of his favourite albums:”It’s too bad that modern singer-songwriters possess a mere half the talent it took Kate to brush her teeth”….Comfortably Numb (Kate’s recent live performance with David Gilmour) can now be downloaded (video too!) here (thanks to Shahaf)….Dutch fans can vote for Kate in the 3FM Radio album poll here….Kate featured in Metro(free daily newspaper in London) on Wednesday 3 April “on this day in 1979 Kate Bush had done her first concert.” (thanks to Rafferty)….Kevin writes to tell us to check out www.Kikiandherb.com. They have a very popular cabaret/comedy show. Kiki & Herb have performed covers of Running Up That Hill, This Womans Work and Moments of Pleasure in their shows….Antonello in Italy writes: “a very short clip of Kate’s appearance at the Arena in Verona (Sept ’78) was shown on “Cocktail d’Amore” last Monday night. Kate danced while performing “Wuthering Heights”, she was dressed in red and was accompanied by two men who rotated a huge kite which hid Kate from the public till she was revealed – the crowd just went mad, also Kate received a very important award, the gold “Telegatto” (a small gold cat that is visible together with other awards in a black & white photograph published in one of the early issues of the KBC newsletters) as the best foreign act in Italy in 1978 (thanks Antonello)….Magnus in Sweden spotted an article about Kate in the April edition of Classic Rock Magazine, a two-page feature, the author musing on the current activities of Kate Bush as well as going back to an old interview (thanks also to Neal Neofitou)….
Johnny writes to say he came across an article in a London listings magazine headlined “Hitting The Vaseline”. The piece is by someone who has written and is appearing in a show called The Beautiful Bend – A Drama With Music at a pub theatre in central London. He talks about having performed the original version of this show at the same venue last September where
“our closing night audience paid us the compliment of singing almost every single Kate Bush song to us in the bar after the show…prompted by hearing Wow which I played after the first act, they sang Army Dreamers, Babooshka, Hammer Horror, This Woman’s Work, Sat In Your Lap, Violin, Breathing, The Sensual World, The Dreaming, There Goes A Tenner and the whole of the Ninth Wave side of Hounds Of Love. I have never experienced anything like it before or since. It was decided on that strange and special night that we would incorporate a tribute to Kate Bush in our next production. By way of homage to George Cukor’s “The Women, we have done this by adding a lavish (for us!) Kate Bush-inspired fashion show. The show is a chop suey (rather than a pot pourri) of vignettes, short dramas and tableaux-vivants. An almost all male cast playing many characters (mostly women). This is an audacious plug for a show that I have written and appear in…don’t take my word for it….I say it’s the funniest thing you’ll see this year. If you think you might be in the mood for a a camp old time (or are a Kate Bush fan), you’re definitely going to enjoy it.”
It is on at the Central Space Theatre (at Central Station), 37 Wharfdale Road, London N1 (just by Kings Cross tube/BR station). Box office is 020 7278 3294. Performance dates are Tuesday 26th, Thursday 28th, Friday 29th, Saturday 30th March. Performances at 7.30pm. (Thanks to Johnny)
Toddicus writes: “Maxwell‘s studio version of This Woman’s Work has been made into a video and will be premiered on MTV2 in the US this week. It is also available to see on his official website. The track is taken from last year’s album “Now”. Kate’s track is one of his most popular live songs. The singer says on his website: “I did it as a tribute to this little girl who came to a show in Los Angeles as part of the Make-A-Wish Foundation in the summer of 1999,” he explains. “Her wish was to meet me and she passed away six months later from cancer. So I re-recorded the song for her.” In previous reports on these pages you’ll see that Kate has already given him very positive feedback about his recording of her classic song. In related news, Kate was mentioned in the Chart Beat section of Billboard Magazine last week. Columnist Fred Bronson talks about Kylie’s #3 debut then goes on to talk about Kate. “She hasn’t been off the charts as long as Kylie Minogue, but British national treasure Kate Bush is back on the Hot 100, as a songwriter. It’s been eight years since Bush had a credit on the singles chart; “Rubberband Girl” which she wrote, produced, and recorded, peaked at No. 88 in December 1993. Bush gets credit this issue as the songwriter of “This Woman’s Work” as covered in an R&B version by Maxwell. His Columbia album track enters at No. 75. That makes it the highest-charting song written by Bush in more than 16 years, since “Running up That Hill” reached No. 30 in November 1985. While this is the first time that “This Woman’s Work” by any artist has charted on the Hot 100, it peaked at No. 25 on the UK singles chart for Bush in 1989.” (thanks to Scott Silzer for the Billboard quote)
An event worth noting for UK Kate fans. Karl writes on the guestbook:”We will be holding a tribute concert honouring the great lady. The main performer of Kate’s work will be Lisa Redford. The venue is the Music Room of the Assembly House, Theatre Street, Norwich, Norfolk on the 26th April 7.30pm tickets £7.50 from Norwich Arts Centre 01603 660352 (50p booking fee) alsohere. Enquiries to Karl at 01603 452850. As well as Lisa Redford, who has performed in the same venue at a sold-out Nick Drake tribute concert, the gig will feature guests Alias Grace, Tim Bowness ‘No Man’, Lord Dieve Montague and Brett Anderson (Suede) if recording commitments allow, also more to be confirmed.” As Glenn Tilbrook of Squeeze says: “brilliant! Lisa has a great voice” (thanks Karl)
Newsbits: Michael Leitz writes that “Earthrise: The Rainforest Album“, released in ’92 and out-of-print for some time, has just been re-released. It features “Don’t Give Up” & “Spirit Of The Forest”, on which Kate sings the line “Turn around, turn around, before it’s too late.” (thanks Michael)…the remix of Cloudbusting by Utah Saints (Something Good) was played during ITV’s ‘This Morning” Wed 20th Feb during a montage of clips from the early auditions of Pop Idol (thanks Iarla)…Will tells us that a recent Sky News entertainment piece claims that Kate will release a new single called “Bertie” (?!) in the near future with the new album appearing at the end of this year, they also played a little bit of the Sensual World video in the background. Hmmm. I’d say be very wary of this rumour. (cheers to Will)…the German daily soap “Verbotene Liebe” featured an extract from “The Man I Love” as background music in a restaurant scene, they’ve played Maxwell’s This Woman’s Work recently too (thanks to Ingo Pohl)…a new French Celtic music compilation, “Celtica Vol.3” includes Kate’s Mná na hÉireann, there is also a television commercial running for the CD which features Kate’s song. (thanks to Tristan and Jeremy).
[youtube]http://www.youtube.com/watch?v=W6FdkeWNbBs[/youtube]
Michael Leitz has sent in some pics he found at a David Gilmour fan’s website taken by Phil W. The site-owner, Kimberly, has this to say about meeting Kate outside the venue:
“Then Kate, her son Bertie, and who I have to assume was his nanny, got out of a black cab and came in. I was speechless, so THRILLED to see Kate up close! She passed by, politely declining requests for autographs or pictures (and I refrained from taking any, out of respect for her), and went inside…I actually got to see and hear Kate Bush perform live, which I never believed would ever really happen!”
(Thanks to Michael – who improved the quality of the pics for us.)
Review of David Gilmour – Friday 18th January 2002 at the Royal Festival Hall, London. By John (A5JCE@aol.com)
To give some background – last year Robert Wyatt was asked by the Royal Festival Hall, London to run that years Meltdown. He asked David Gilmour, Pink Floyd’s guitarist to come and perform a set, which he did on 22 June 2001. That set was basically an acoustic set and featured a number of Floyd songs together with a Syd Barrett song, a song from a Bizet opera, a new song and a lullabye from Chitty Chitty Bang Bang – I kid you not.At that show Dave got an outstanding reception and the show was hailed by many as one of the most amazing Gilmour performances. It was a stripped down set – no flying pigs, no lasers, no movie screens and all in a small venue. It seems that that performance (his first live show since the 29 October 94 when Floyd finished their last world tour) stirred him into doing some more shows.
I got a phone call many months ago early one morning saying that he was going to to another show at the Festival Hall in January so immediately I booked tickets. A few days later and another call – a second show had been added and more tickets were bought. A few days later and another call – a third show and more purchases. Without hesitation I bought tickets to all three at £45 each!!!!! But hey the June show was so good I just had to do it – and what would he come up with this time? Little did I or anyone else know the incredible surprises that awaited all those lucky to buy those tickets.
All three shows sold out very quickly and the only notification of the shows was on the Festival Hall’s website (www.rfh.org.uk) – word of mouth was the key. Then adverts started to appear in the national press for the first two shows but by then they were sold out.
Time passes slowly when you are waiting for such shows – but time did pass and on Wednesday last week I caught the train to London, checked into my hotel and headed to the Festival Hall arriving at about 3pm. There I meet some German friends who had come over for Junes gig and were here again. I first met them at a Roger Waters (Floyd member) show in the US in 99. Also there were many UK friends and a chap who had come from Brisbane for the shows! He deserves a prize for the longest journey to see a show – 23 hours in a plane. But he had waited 15 years to see Gilmour live and wasn’t going to miss the chance now.
As I was chatting it was revealed to me that one of the German guys had spoken to the bass player (Chucho Merchan) when he arrived that day. He had said that each night would be different. There would be a guest each night, and they were to be Robert Wyatt, Bob Geldof and Kate Bush. Later that day Richard Wright, the Floyd’s keyboardist arrived – this was going to be a sublime show – 2/3 of Pink Floyd live in a small arena doing an acoustic set – and my seats were 4th row.
The three nights were essentially the same. Doors open at 8pm for the support act. On Wed and Thur it was Ghostland, the band of Gilmours cellist, Caroline Dale. They did a short set from 8.15 to 8.45. On Friday it was Trashmonk, Nick Laird-Clowes band. He was the guy behind Dream Academy and co-wrote some songs on the last Floyd album, The Division Bell.
There was then a a short break till 9.15 when Dave walked on stage.
He walked on, on his own and picked up his acoustic guitar and started to play Shine on you Crazy Diamond. Two minutes into the song most of the audience recognised it and a loud cheer went up. Then silence and they listened. The show, as with June’s, was great in that whilst he was playing there was silence. In between there were cheers and various shouts from the audience – a number of which he replied to. It was the same on all three nights.
The setlist for all three nights was the same and very similar to the Meltdown show, and included Comfortably Numb. On Wed Robert Wyatt reprised his role from the June show by singing two verses – the first and third, taking the part of the wicked doctor. On Thursday he was the turn of Bob Geldof who played the central character in Pink Floyd The Wall film (although he didn’t actually sing the song in the film whilst he did sing other Floyd tunes).
On Friday at about 3pm Kate arrived, on foot, at the venue. It seems that rehearsals were around 4pm each day. She was recognised by the few people that hung around the artist’s entrance to the Hall, but politely declined requests for autographs and walked straight in.
Tonight, Friday the guest on Comfortably Numb, was to be Kate Bush. After the end of Wish You Were Here, Dave said “Now we’re going to sing Comfortably Numb now, and to play the part of the wicked doctor, I’d like to invite Kate Bush to come and sing with us”. At this point Kate walked on to huge applause that lasted ages – her applause was certainly louder and longer that that received by either Robert Wyatt or Bob Geldof.
At the front of the stage there was a stand with the lyrics that Kate was to sing together with a mike stand just to the right of Dave. A piano intro lead quickly into the first lines which she sang beautifully and with real pain as the original is intended. Her performance was to a stunned silenced crowd. The second verse was taken by Dave to initial cheers, with Kate joining in on harmonies, whereas on previous nights the guest did not.
There is then a piano section that leads into one of Dave’s most famous guitar solos which he did on an electric guitar heralding cheers both before and after the solo.
Verse three was Kate’s turn. Again superbly handled. Verse four was Dave with Kate again taking harmonies. Another guitar solo. Throughout the time Kate was on stage she was watching Dave sing and play moving slowly to the music. She was dressed all in black – a dress I think – very reminiscent of her Wuthering Heights outfit.
The end of the song produced a huge round of applause at which point Kate went over to Dave and gave him a big hug and a kiss on the cheek. She then walked off towards Michael Kamen, who was on piano, and also gave him a hug and kiss.
I don’t know if she hung around for the after show party, but she wasn’t seen leaving the venue after the party like the rest of the band and guests.
The show was filmed professionally by a 10 camera team. One high in the balcony, one by the sound board, one to the right, two to the left (a long shot and a near shot), three at stage front and two on stage. Only Thursday’s and Friday’s shows were filmed – for some reason they didn’t bother on Wed. Gilmour’s June gig was also filmed so there may be a DVD out – but the Floyd are well know for filming and taping shows then never releasing them. It took them 20 years to release a live CD of the original Wall shows in London. So don’t hold your breath.
Gilmour gig update: First the photos, now the sounds. For now we have a selection of three MP3 excerpts from the track Kate performed at the Royal Festival Hall. I have to hugely thank John (a5jce@aol.com) who has so kindly lent these to us. The full track, which no doubt will be circulating out there before long is said to be 8mins 30secs long. Cheers again John!
Click here to download David Gilmour introducing Kate (438k)
Click hereto download Kate singing the first verse (477k)
Click here to download Kate singing the third verse (302k)
Zoltán Tóth has kindly contacted my site with the only two shots he got of Kate on stage with thanks also to Dave Upham who saved me the bother of photo-shopping the images! Nice bunch these Pink Floyd fans…) Also, Charles has emailed to say that there is another review of the show at: http://www.FloydStuff.com (thanks Charles)
Pink Floyd fan Mark Ogier writes on the alt.music.pinkfloyd newsgroup: “”[…] It was a terrific night for this long-time Floyd fan, and while it was great to see Rick Wright turn up it was even better to see Kate Bush again after all these years. I’m hoping that she’ll be tempted back into a recording studio after the reception she received. She looked terrific and sounded great – just as I remembered her. I’d read she’d become a recluse, so this appearance was even more of a surprise.” Commenting on the choice of Robert Wyatt and Bob Geldof taking Comfortably Numb vocal duties in the previous two nights shows Ogier writes: “While I respect both singers, frankly I am delighted and feel particularly lucky that I was there on the night that Kate was guesting. There were cameras recording the Friday night show, so I hope her appearance makes it into the final recording?”
Michael Leitz (who sent in that review – cheers Michael) also reminds us that the song is one of Kate’s all-time faves: In an interview for a special mini-edition of Q magazine in 1990 “Kate Bush […] is asked once again to contemplate the life of isolation. In other words, to select her desert island discs. Sitting as we are in the legendary Abbey Road studios, her choice of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band and Magical Mystery Tour could not be more appropriate, followed by [,,,] and Pink Floyd’sComfortably Numb.” (Q/HMV special mag, “Follow That!” by Mat Snow, 1990)
For those unfamiliar with the song Comfortably Numb read more at this Pink Floyd site here.
Reza Sayeed on Club Gaffa has posted the following news: “In an interview conducted on 30 November 2000, the American jazz drummmer Peter Erskine talks about working with Kate on her new album. Interviewer: “Kate Bush? Tell us more about that. I didn’t know she had a new album.” Peter Erskine: “First one in a while, I guess. I think it will be about another year before it comes out. Wonderful poetry and great songs; beautiful voice, and a lovely woman. Cool drum tracks, too, if I may say so …” Erskine comments that he makes his conga-playing debut on the album! Other artists he’s recently worked with include Joni Mitchell, Ricki-Lee Jones and Diana Krall. Read the full transcript here.
A contributor to Club Gaffa has posted this newsbit: “In a recent interview, Elton John mentions the profound effect that the Peter Gabriel & Kate Bush duet ‘Don’t Give Up‘ has had on his life. The interview is dated 28 September 2001, and has been published on an Italian website: Elton says: “When I took drugs, in the worst period, that is when I was perfectly aware of where I was slipping, a song helped me resist: ‘Don’t Give Up’, by Peter Gabriel and Kate Bush. I was listening to it and I was continuing to repeat aloud: “I will not let go, I will not throw in the sponge”. The problem was that I did not know how to abandon the hole into which I was hurled. Then I understood; I would have to ask for help: to say “I need help” … I will never forget that track from the album ‘So’ by Peter Gabriel. Every time that I allowed the situation to beat down, every time that I thought that this life was not worth anything, I put on ‘Don’t Give Up’ and I convinced myself yes, it is worth the pain. Still now I cry, when I feel it.”
The former lead singer of the rock group Big Country has been found dead in the United States.Stuart Adamson went missing last month from his home in Nashville, Tennessee. The 43-year-old was found dead in a Hawaii hotel room on Sunday. In 1986 the band recorded the title track of their album The Seer, with Kate on backing vocals. At the time Adamson said: “It’s based on a tale of a Scottish woman called the ‘Bramin Seer’ and the song’s about some of her prophecies coming to fruition. We asked Kate Bush if she would come and sing on it and she agreed – she was just amazing.” Kate recalled in a KBC newsletter at the time: “They were lovely to work with – I really enjoyed it. They asked if I’d like to do some backing vocals and I went in for an evening. They were really nice.” Adamson and his band had a string of hits in the 1980s including Look Away, Wonderland, In a Big Country and Fields of Fire.